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Woody Allen will shoot his 51st film in Spain beginning in July with a cast that includes Oscar winner Christoph Waltz and long-time collaborator Wallace Shawn.

MediaPro, the Spanish financing conglomerate, announced the news Tuesday that the untitled project, with the production title WASP2019, will take place in San Sebastian, Spain, from July 10 to Aug. 23.

Elena Anaya, Louis Garrel, Gina Gershon and Sergi López will also co-star. The MediaPro Studio, an offshoot of the MediaPro Group, will co-produce the film.

Also Read: Woody Allen Releases 'A Rainy Day in New York' Trailer Despite US Distribution Limbo (Video)

The film tells the story of a married American couple who go to the San Sebastian Film Festival. They get caught up in the magic of the festival, the beauty and charm of Spain and the fantasy of movies. She has an affair with a brilliant French movie director, and he falls in love with a beautiful Spanish woman who lives there. The film is a comedy-romance that resolves itself in a funny, but romantic way.

“At MediaPro, we’ve been working with Woody Allen for 14 years. His films, like every project the group produces, have a unique personality. This latest movie has all the ingredients to be right up there along with what we’ve become accustomed to from a director of Woody Allen’s talent: an intelligent script and a first-rate international cast. In addition, we’re delighted to be able to shoot the movie in a city such as San Sebastian, which has such strong ties to cinema,” Jaume Roures, founding partner of MediaPro said in a statement.

MediaPro previously worked with Allen on “Vicky Cristina Barcelona,” “Midnight in Paris” and “You Will Meet a Tall Dark Stranger.” ?This will also be the fourth collaboration between Allen and award-winning cinematographer Vittorio Storaro.

Also Read: Woody Allen Memoir Proposal Rejected by 4 Publishers (Report)

Allen’s film “A Rainy Day in New York,” starring Elle Fanning and Timothee Chalamet, is reportedly being released in several international territories despite being caught in distribution limbo in the U.S. after Amazon nixed its distribution deal with Allen.

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www.thewrap.com | 6/4/19

This weekend, a European phenomenon is back — though Americans may have to hunt for clips on YouTube or seek out a VPN and watch via another country’s home broadcaster.

The Eurovision Song Contest, a cross between “The X Factor” and the Miss Universe pageant that offers Yanks a glimpse of what it’s like to be in a culture that doesn’t have jazz and blues as the foundation of its pop music.

For those who’ve never seen — or even heard of Eurovision — before, here’s a quick primer to get you caught up.

Also Read: Taylor Swift on 'Taylor Swift Award' Win: 'I'm Really Super Relieved' (Video)

What exactly is this contest?
Eurovision began as an idea back in the mid-1950s as a way for Europe to come together after World War II had ripped it apart. It was a pretty revolutionary effort for its time. Television was still the Wild West of communications and the Olympics hadn’t yet become an international broadcasting event. Eurovision was one of the first major attempts to hold an event that people from a wide range of countries could watch. With that in mind, the organizers wanted each country to showcase a song that was indicative of their culture.

That sounds like a pretty noble goal.
Yes … but it was also very out of touch with what was happening with music at the time. Rock ‘n’ roll was beginning to take root and The Beatles would take the world by storm just a few years after Eurovision’s inception. This meant that Eurovision’s lineup of ballads and cultural pieces quickly felt antiquated compared to the rock revolution that was going on in the charts. And that was six decades ago … the entries would only get weirder from there.

How weird?
For starters, there was once a rule implemented on and off over the years stating that participants could only enter songs that were in their country’s main language. When that rule was in effect, some countries found a loophole: give the song a hook that involves complete gibberish. Songs with titles like “Boom Boom” and “Diggi-loo Diggi-ley” poured out while the home-language rule was in effect.

Then there are the artists themselves. As Eurovision has evolved, more and more ridiculous acts have come out of the woodwork. Finnish monster-rock bands, Russian grandmas and Latvian pirates are among the acts that have performed for a TV audience of hundreds of millions in recent Eurovisions. And that Finnish monster rock band actually won.

Also Read: Celine Dion's Brother Daniel Dies Just 2 Days After Her Husband

Jeez! So is this just some musical freak show?
Well … let’s be fair. While there’s always been some silly novelty acts, there’s also some solid bits of Europop on hand every year from genuinely talented folks. Sweden won in 2012 with “Euphoria,” a soaring dance track by “Idol” contestant Loreen that went multi-platinum in her country after her victory.

There’s also a small handful of top stars on the winners’ list you might recognize. ABBA used Eurovision as a launch pad to stardom in 1974 with their song “Waterloo,” and French-Canadian Celine Dion’s win in 1988 was her biggest claim to fame before “Titanic” came out. Quality — or at least creativity — does tend to win out at Eurovision.

OK, so how does this contest work?
First, all the countries have a national contest where they vote on which song will represent at Eurovision. The participants are divided up into two semifinals, with the exception of the host nation and the “Big Five” countries — France, Germany, Italy, Spain, and the U.K. — who automatically qualify for the final.  They are joined by the 10 countries that get the most votes in each semifinal. In the final, all 26 countries get three minutes to make a good impression, and then the whole continent votes “Idol”-style (not for their home country, of course), as do professional juries for each country.

Then the show transitions to a long procession of national “ambassadors” reading out who each country gave their votes to. The top 10 performers in each country’s vote get points, with 12 points going to the top vote-getter, followed by 10 and then eight down to one for the rest of the order. The same goes with the juries, but with 10 points going to the performer in first place.

And what does the performer with the most points win?
This trophy. Oh, and their country gets to host the competition next year.

What? No prize money? No contract? No vague promises of superstardom?
Nope. The winners do get their 15 minutes of fame and some success on the charts, but beyond ABBA and Celine, Eurovision winners almost never have long-term success. Again, Eurovision long ago moved away from the sort of music that leaves a lasting cultural impact.

Even now, a good chunk of the acts are homogenous power ballads that can blur together when performed in succession. Still, Eurovision is worth watching just for the spectacle of it all. The Disneyland-esque sweetness of the proceedings is charming, and the lack of stakes for the performers keeps it feeling light and fun rather than a battle for wealth, glory, and continental supremacy.

Also Read: 'Can't Stop the Feeling': Justin Timberlake Drops Catchy New Single (Video)

It has also made headlines in recent years that have allowed it to take steps beyond the realm of annual oddities like the Running of the Bulls. The winner in 2014 was gay Austrian singer Thomas Neuwirth, who performed as drag queen superstar Conchita Wurst. The victory transformed Conchita into an LGBT icon in Europe, even as Russian conservatives raged in fury and used the singer as an example of why Russia shouldn’t be a part of the EU. For all of Eurovision’s platitudes about tolerance and peace, this was a moment where those ideals were actually acted upon, even if it meant breaking the general tone of inoffensiveness.

If it’s supposed to be European, why is Australia a competitor?
It turns out that Eurovision has a major cult following in Australia, and they were invited to compete several years ago as a thanks for all the support down under. The expansion of the European Union means countries like Azerbaijan and Israel get to compete too.

So…if all these countries that aren’t strictly European are competing, does this mean we may be seeing the USA compete in Eurovision soon?
Eh…don’t count on it.

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www.thewrap.com | 5/18/19

Art imitates life in Pedro Almodóvar’s “Pain and Glory,” which screened in competition at the Cannes Film Festival on Friday evening. Or maybe it’s more accurate to say that the iconic Spanish director reimagines life — his life — as a fantasia borne out of the cinematic vocabulary he’s created over the last four decades.

“Pain and Glory” suggests that Almodóvar’s films were based on the preoccupations that developed when he was a child, but then refracts the life that formed his art through the style of that art. If there’s a house-of-mirrors aspect to this, the trickiness is one of the least important aspects of this lovely, gentle reverie, which has already opened to largely positive reception in Spain.

Antonio Banderas plays a film director named Salvador Mallo, who happens to dress like Almodóvar and live in a house that looks just like Almodóvar’s house. He also has a little bit of Almodóvar’s trademark spiky hair, though it’s not as white or as poofy.

Also Read: How Antonio Banderas Learned to Relax and Play His Old Friend (and Director) Pedro Almodóvar

Banderas, who began his career in the early 1980s in a film by Almodóvar and has now appeared in eight of the director’s movies, told TheWrap that at times he found it difficult to wrap his head around what his old friend asked him to do in “Pain and Glory.”

“It’s very complicated,” Banderas said. “Even if he said, ‘It’s not me, it’s my alter ego’ — OK, but it’s in you. It’s not self-biography, but it’s self-fiction.”

Banderas said he never did an imitation, instead drawing from things about Almodóvar that he knew as a friend, notably the writer-director’s solitude. And Salvador Mallo is indeed a solitary figure – a man we first see submerged in a swimming pool, and a man lost in the pain that wracks his body and in the memories that flow through him.

Those memories, the subject of numerous flashbacks, include growing up Catholic with a strong mother (played by Penélope Cruz) and fainting at his sudden sexual awakening when the young Salvador (Asier Flores) sees a workman bathing nude. You can look at them as a CliffsNotes version of what formed Almodóvar — sorry, Mallo — as a director, but they are more essential than that.

Also Read: 16 of Cannes' Hottest Directors, From Pedro Almodóvar to Céline Sciamma (Exclusive Photos)

Back in the present day, Mallo seeks out an actor, Alberto Crespo (Asier Etxeandia), with whom he had a falling out 32 years earlier — he wrote a role for a character he envisioned as a cocaine addict, the actor played him as a heroin addict instead and only now, on the eve of a cinematheque restoration of the film, does Mallo appreciate the performance. The reconnection leads to a theater piece written by Mallo and performed by Crespo, and also to Mallo’s flirtation with smoking heroin, still a regular ritual for Crespo.

The performance also leads to a reunion between Mallo and Federico (Leonardo Sbaraglia), old lovers who share the tenderest reconciliation in a film built around a series of reconciliations.

Almodóvar has called “Pain and Glory” the third part of a trilogy that also includes 1987’s “Law of Desire” and 2004’s “Bad Education,” but devotees of the director’s work can find call-outs to much of the director’s filmography. And as always, the film’s look is impeccable; Almodóvar’s fascination with scarlet continues, but he finds a way to make even a doctor’s waiting room look vibrant and alive.

Also Read: 'Rocketman' Film Review: Elton John Gets a Musical Fantasy That Sometimes Achieves Liftoff

But you wouldn’t use those words to describe the main character. Banderas’ Mallo is weary and subdued, a man looking for peace and too tired to fight. It might be the quietest performance the actor has ever given, and quite possibly the most affecting; as a lion in winter, he makes every sigh matter.

And “Pain and Glory” is, clearly, a film of sighs. Just as the character seeks physical and mental healing, the film is one of the most meditative of Almodóvar’s career. He may have made his reputation with a string of transgressive, jarring and provocative films that helped upend Spanish cinema in the 1980s and ’90s, but with this film passion has given way to mature introspection.

It makes for less energetic and, yes, less exciting filmmaking. But “Pain and Glory” is a beautiful meditation on past and present, a memory piece that will nourish rather than provoke.

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www.thewrap.com | 5/17/19

Plastics are in the air. Not only literally. Everyone's talking about plastic pollution and the need to take action.

You don’t need to be conducting a scientific research to see that plastic waste is invading our environment, specially our oceans. With up to 12 million tons of plastic entering the oceans every year it is not surprising that we find plastic everywhere, not only polluting the water and severely impacting marine species, but also accumulating in the food chain.

Plastic-Spitting Dragon Protests at Our Oceans Conference in Malta. 5 Oct. 2017.

And so people all over the world are building up a movement to transition to a society free of single-use plastic and the throw-away culture it entails. Whether it be by individual action and changing everyday habits, by signing petitions or by creating change in their communities and local businesses. 

The movement to #BreakFreeFromPlastic is on the rise and there’s no stopping it!

But where are we on policy? This week, the European Commission has released the European Plastics Strategy. A document that reflects the vision and the objectives of the Commission on this issue and that will be translated into measures and actions.

The European Union (together with countries in the North American Free Trade Agreement) is the second largest producer of plastic after China.

  • In the EU, 25.8 million tons of plastic waste are generated each year, 70% of which is incinerated or dumped in landfill. 
  • In the EU, 150,000 - 500,000 tons of plastic waste enter the oceans every year.
  • It is estimated that between 75,000 and 300,000 tons of microplastics are released to the environment each year from EU countries. 

We need to change these numbers. It seems like this new EU strategy echoes this urgency and is certainly something worth praising. But once we get to the details, it seems to go down the usual path.

There’s certainly some good ideas, like treating microplastic ingredients (including cosmetic microbeads) as toxic pollution using the EU chemical regulation.  

And it sets a target that by 2030, 100% of plastic packaging in the EU market will be reusable or recyclable, with a first legislative proposal in 2018 to tackle some single use items. Promising!

But again we find a text too focused on recycling. It’s all over the place. While reduction and reuse is hardly mentioned. Their target won’t be achieved without reducing the production and consumption of plastic packaging and single-use items, much of which are unnecessary in the first place and have already existing alternatives waiting to be scaled up.

Deposit return schemes are increasingly being implemented. Bulk stores are blooming in many places, water fountains are coming back to cities and public places, and reusable items are coming into fashion. But alternatives need to be backed up by bold and ambitious political measures.

So if you are a European citizen, watch out for changes in our legislations and be ready to ask your national government to ensure single-use plastic item bans are fast tracked as the crisis is urgent and the EU process can take years. It’s a real opportunity for change and we mustn’t let it slip!

And even if you’re not in Europe, we still need your support. In a globalised world, whatever happens in the European region will have impact in other regions, through companies headquartered in the EU, trade or by simply, and most importantly, setting an example for others to follow that ambitious measures can be taken to phase-out single-use plastic.

While we wait for the next political move, you can still do your part. Whether it be refusing straws, bags, using refillable bottles or taking community action. Every step counts, no matter how big or small. Pick yours and start today to join the movement! We can all #BreakFreeFromPlastic!

Elvira Jiménez is EU Plastics Project leader with Greenpeace Spain

Pawel Pawlikowski’s “Cold War” has been named the best European film of 2018 at the European Film Awards, which were handed out on Saturday in Seville, Spain.

The decade-spanning drama, which was inspired by the stormy relationship between Pawlikowski’s parents, also won awards for its director, screenplay, lead actress (Joanna Kulig) and editor.

Marcello Fonte won the best-actor award for “Dogman,” which also took awards for its costume design and hair and makeup.

Also Read: 'Cold War' Film Review: Romance in Postwar Europe Is Ravishing and Haunted

Armando Iannucci’s “The Death of Stalin” was named the best European comedy, while “Bergman – A Year in a Life” won for documentary, and “Another Day of Life” won for animated film.

Four of the Best European Film Award nominees — “Border,” “Cold War,” “Dogman” and “Girl” — are the foreign-language Oscar entries from Sweden, Poland, Italy and Belgium, respectively. The fifth, “Happy as Lazzaro,” played in Cannes but was bypassed as Italy’s Oscar selection in favor of “Dogman.”

No film that has won the European Film Award for best film has ever won the Best Picture Oscar, though three (“The Full Monty,” “Life Is Beautiful” and “Amour”) have been nominated. Six EFA winners — “Life Is Beautiful,” “All About My Mother,” “The Lives of Others,” “Amour,” “The Great Beauty” and “Ida” — have won the Academy Award for Best Foreign Language Film.

Also Read: 'The Favourite' Dominates the British Independent Film Awards

The 2018 European Film Award winners:

Best European Film: “Cold War”
European Director: Pawel Pawlikowski, “Cold War”
European Comedy: “The Death of Stalin”
European Actor: Marcello Fonte, “Dogman”
European Actress: Joanna Kulig, “Cold War”

European Screenwriter: Pawel Pawlikowski, “Cold War”
European Documentary: “Bergman –A Year in a Life”
European Animated Film: “Another Day of Life”
European Short Film: “The Years”
European Discovery/Prix Fipresci: “Girl”

European Cinematographer: Martin Otterbeck “U-July 22”
European Editor: Jaroslaw Kaminski, “Cold War”
European Production Designer: Andrey Ponkratov, “The Summer”
European Costume Designer: Massimo Cantini Parrini, “Dogman”
European Hair and Make-Up Artist: Dalia Colli, Lorenzo Tamburini & Daniela Tartari, “Dogman”
European Composer
: Christoph M. Kaiser and Julian Maas, “3 Days in Quiberon”
European Sound Designer: Andre Bendocci-Alves and Martin Steyer, “The Captain”
European Visual Effects Supervisor: Peter Hjorth, “Border”

EFA People’s Choice Award: “Call Me by Your Name”
European Achievement in World Cinema: Ralph Fiennes
EFA Lifetime Achievement Award: Carmen Maura
Honorary Award: Costa-Gavras

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Golden Globes Nominations Analysis: 'Vice' and 'Green Book' Emerge as Curious Front Runners

www.thewrap.com | 12/15/18
Mexico’s Cinema226, run by Marco Antonio Salgado and Sam Guillén, is driving into a raft of Mexico, Argentina and Spain co-productions, playing off the current vibrancy of Mexican film production funding and distribution outlets. Among the projects are titles which have been standouts at Ventana Sur’s Blood Window, the next film by Mexico-based Argentine filmmaker […]
variety.com | 12/15/18
This week in El Espace: tension at the Mexican border, why Latino Jews are moving to Spain and more.
www.nytimes.com | 11/29/18
MADRID — Making good on the largely overlooked achievement of debut feature “The Demons,” Québécois Philippe Lesage’s “Genesis” swept the 63rd Valladolid Intl. Film Festival, winning its top Golden Spike, director and actor on Saturday. One of Spain’s top three or four festivals, and a bastion of auteur cinema, Valladolid closed its official section Friday […]
variety.com | 10/28/18
There are film festivals and then there are genre film festivals. They both show great films from all over the world, and they both highlight cinema as one of the finest forms of modern art. What makes the Sitges Film Festival stand out in particular is the audience. Celebrating its 51st year, Sitges has been around for a while. It has a strong reputation and its known around Europe as the top genre festival. Horror fans from Spain and other nearby countries travel in to catch the latest, greatest offerings from talented directors, and catch up over drinks and pintxos (and tapas). This year was my second year back to Sitges, and I decided to stay the entire time to relax and catch a bunch of films over the full 10 days it runs. After my unforgettable experience last year (attending for my first time), I had to return, I couldn't stay away. And as usual, I'm very glad I ...
"Isn't art always, to a certain extent, therapy for the artist?" Oscilloscope Labs has debuted an official US trailer for the cinema documentary Searching for Ingmar Bergman, which first premiered as a Cannes Classic at the Cannes Film Festival earlier this year. The documentary celebrates Swedish filmmaker Ingmar Bergman's 100th birthday, by taking an extensive and fascinating look at his life and creative inspiration. The doc presents key scenes and recurring themes in his films and his life, and journeys to the places at the center of Bergman's creative achievement and the focal points of his life such as the Royal Dramatic Theatre in Stockholm, locations and landscapes from his masterpieces, and his stations in Sweden, Germany, Spain, and France. This looks like a profound, entrancing, wonderful look at the life of a true master filmmaker. US trailer (+ posters) for Margarethe von Trotta's doc Searching for Ingmar Bergman, from YouTube: On the 100th anniversary of his birth, internationally renowned director Margarethe ...
One of the most-coveted awards in German literature has gone to the author of Archipel. The novel tells the story of three families on the Canary Island of Tenerife from different social classes in Franco-era Spain.
www.dw.com | 10/8/18

Who was at the meeting, who wasn't at the meeting and who else should the Cubans meet with?

While Cuban president Miguel Díaz-Canel was in New York to address the United Nations, he met with members of Congress and executives from the agriculture, travel and information and communication technology (ICT) industries. The ICT meeting was at Google's New York office and ten other companies attended. In addition to Díaz-Canel the Cuban ministers of Foreign Affairs, Foreign Trade and Foreign Investment and Communications were at the meeting.

Since the only report I have seen of the meeting was a short article in Granma (Spanish), I don't know what was discussed or decided — I can only guess.

The following is a list of the companies at the meeting with a little speculation.

Google: Perhaps they talked about their latest, rumored, unspecified deal to expand Internet access in Cuba. Another possibility would be bringing their African broadband infrastructure company CSquared (begun as Google Project Link) to Cuba.

VaynerMedia: I'd not heard of them, but they seem to be an Internet-savvy PR agency that has done work for many companies, including Google. Perhaps they would like to promote Cuban tourism, ICT or biotech companies or Cuban offshore development services. Or, they might be interested in a Cuban production facility. (Google has production spaces in ten cities — how about Havana)?

Connectify: They are already in Cuba — their software is widely used by Cubans who share connections at WiFi hotspots.

Mapbox: I bet this map of Cuba uses their geographic information system tools. Perhaps they will develop something for the Cuban tourism industry?

McKinsey and Company: They might be looking for a strategic ICT planning engagement. (Others will work for less — see below).

Virgin Group: This is a capital investment company with experience in travel, telecommunication, media and other areas where Cuba has both needs and assets — might they invest in Cuba, S. A.?

AirBnB: They are already doing a robust business in Cuba by providing a good deal for both Cuban renters and tourists. (I wonder whether Trump's clamp-down on tourism has hurt them).

Revolution: I assume this is Revolution Ventures. If so, they may be interested in investing in Cuban startups.

Twitter: Cubans already use Twitter — what more can they be thinking of?

Microsoft: Pirated Microsoft software is common in Cuba — might they be talking about some sort of licensing or royalty agreement in return for support? (I recall long ago visiting a government-run storefront where you could bring floppy disks and order copies of all major US software, including Microsoft's). Microsoft might also be looking for tech employees, offshoring or opening a Cuban development center.

Bloomberg: Did they attend as financially-oriented journalists?

Cresta AI: might they be looking for developers or to build intelligent applications?

Those were the attendees. Who not there?

I was relieved to notice that none of the large US wireless or wireline ISPs were at the meeting. I would not want to wish my experience with Verizon and Spectrum on Cubans.

Cuban President Miguel Diaz-Canel meets in New York with executives of the U.S. technology companies on Sept. 24, 2018

I was surprised that Cisco did not participate. Cisco supplied Cuban networking infrastructure in the early days of the Internet, but Huawei has replaced them today. Still, Cisco is the only US ICT company I can think of besides Google that has made the effort to build relationships in today's Cuba, enabling them to begin offering their Cisco Networking Academy training at the Universidad de Ciencias Informáticas. Cisco-trained students may be willing to purchase their equipment once in the workforce.

I was also surprised that no one from ETECSA was there, although there may have been ETECSA representatives seated in the periphery of the room behind the conference table as is often the case in such meetings.

Finally, who was not there that I would advise Díaz-Canel and Cuban ICT decision makers meet with?

I would urge the Cubans to consider a broad set of advisers and collaborators as they plan the future of their Internet, for example:

  • Organizations like the International Telecommunications Union, the United Nations Development Program and the Internet Society, which have expertise in networking in developing nations, national broadband planning, regulation, and policy. Cuba needs to consider next-generation infrastructure ownership and regulatory alternatives as well as next-generation technology.
  • ICT ministries of nations like Singapore's Ministry of Communications and Information, which has been an ICT planning leader for many years.
  • Municipal networking experts like The Baller Group and a representative of Stockholm's successful municipal network AB Stokab.
  • Representatives of citizen networks like Havana's SNET and Spain's Guifi.net. Cubans are well educated and have a culture and tradition of innovation and self-sufficiency (thanks in part to the US embargo). SNET (and El Paquete Semanal) are providing much of what people use the Internet for. Might ETECSA look upon these organizations as collaborators (or customers) rather than extra-legal competitors?
  • Consultants and consulting firms with deep expertise in networking in developing nations like the Network Startup Resource Center, the Association for Progressive Communication (which provided UUCP connectivity to Cuba in the pre-Internet days) or Steve Song in Africa.
  • People from companies working on future technologies which will not be available for a number of years, for example, representatives of low-Earth satellite companies like OneWeb and SpaceX or engineers working on Ericsson's long-run 5G mobile products.
  • To keep the technology and policy experts honest, I would also include some people concerned with the social impact of the Internet, for example, Yuval Noah Harari, Zeynep Tufekci and Elon Musk.

Don't get me wrong — I think meeting and establishing relationships with companies from the US and other nations is a positive step for the Cubans, but I hope they broaden their contacts and meet with an eclectic group of people and organizations thinking about long-range planning for leapfrogging to future technologies as well as stopgap interim measures like WiFi hotspots, home DSL and 3 and 4G mobile connectivity. One can imagine a most interesting Cuban Internet-advisory committee.

Written by Larry Press, Professor of Information Systems at California State University

www.circleid.com | 10/5/18

The world’s top female athletes, leaders in sports media and industry influencers gathered this week not only to talk about their love of the game, but also issues central to the current cultural environment.

The ninth annual espnW: Women + Sports Summit held at the Pelican Hill Resort in Newport Beach, California, and hosted by “SportsCenter” co-anchor Sage Steele featured keynote speakers including Danica Patrick, Candace Parker, Michael Ian Black and the gold medal-winning U.S. national ice hockey team.

With the #MeToo movement having launched shortly after the 2017 Summit and the Kavanaugh hearing still dominating headlines — gender equality, sexual assault, workplace harassment and female empowerment steered the discussion more than ever.

Also Read: ESPN+ Passes 1 Million Paid Subscriber Mark in Less Than 6 Months

Despite tackling serious issues impacting all women, ESPN talent such as Sarah Spain, Julie Foudy, Hannah Storm, Cari Champion and Mina Kimes also added some light-hearted fun into the mix when they took to the stage.

From an intimate performance of Andra Day’s empowerment anthem “Rise Up” and the brave stories of sexual assault survivors, to LeBron James’ manager/best friend Maverick Carter telling everyone to “be selfish” and ESPN president Jimmy Pitaro dropping “Top Gun 2” casting news, here are some of the top thought-provoking and conversation-sparking quotes:

Maverick Carter with Cari Champion

Maverick Carter, CEO of SpringHill Entertainment and “UNINTERRUPTED” with co-creator LeBron James
[On breaking into the entertainment industry]: “It is all about telling the story. We thought that if we stuck with the most authentic version of ourselves and LeBron kept doing his main thing (basketball) then we could build something lasting. If you build something on bulls–t then you’re screwed.

“The key to making any deal is to be very clear on what you want — that is the easy part — but also understanding what the other side actually needs. Everyone has to leave the room feeling good and not like they’ve been taken advantage of. The fact of the matter is people are very selfish, but there’s nothing wrong with that and selfish gets a bad rap.”

[On if LeBron will ever run for president: “Right now, he is focused on being a great basketball player … I don’t see him focusing on it [politics] right now. But who knows what’s in the future. He’ll be 34 in December, so who knows how much longer he’s going to play basketball. You never know what’s next with that guy.”

Also Read: Alex Rodriguez, Maria Menounos Take the Wheel for 'Jeep Wrangler Celebrity Customs' Web Series (Video)

Danica Patrick and Hannah Storm/ Dan Stark for ESPN

Danica Patrick, former IndyCar and NASCAR driver
“I was never conscious of being the fastest girl out there, it was about being the fastest driver. There was no gender attached to it.”

[On retiring from pro racing]: “I came to the realization that what made me happy wasn’t really racing. It was wasn’t like I’d wake up thinking about about it every single day. Would I go to a race track for fun? Heck no! Last year, having my winery launch, my clothing line launch and then my book came out — all these things were happening at the same time.” [One being asked to host the 2018 ESPYs]: “I think I said ‘me?!? You get Justin Timberlake to do that, not me.’ Saying yes was the scariest part. If something is equally as exciting as it is scary then go for it. You will never have growth unless you have pain. One part of the growth was having confidence in myself, so I said yes. We’re not scared of change, what we’re scared of is leaving something behind. You have to shift your mindset and ask, ‘but what if it’s better?'”

Also Read: How Alex Gibney's ESPN Docuseries 'Enhanced' Tackles Moral Dilemmas of Modern Technology

Meghan Duggan, Hilary Knight, Jocelyne Lamoureux-Davidson and Kendall Coyne Schofield/Robby Klein for ESPN

U.S. national ice hockey team gold medalists Meghan Duggan, Hilary Knight, Jocelyne Lamoureux-Davidson and Kendall Coyne Schofield
[On threatening to boycott the 2017 world championships]: “Our sport needed major change in many areas … most importantly how they [USA Hockey] treated women in our sport. It was the culmination of many years of mistreatment, we did it to help the next generation coming up through the rinks … we had to dig down and come together to stand up for what we’re fighting for.

“We’re trying to change a culture. We’re trying to change behaviors that have been around for many years. There’s accountability on both sides. For us, it’s continuing to push the envelope, and for them, it’s being receptive to what we’re trying to accomplish together moving forward.”

“Stand up for what is right and what you know. Stick together and create the change.”

Sarah Klein, Jordyn Wieber and Mina Kime/Rob Klein for ESPN

Sarah Klein and Olympic gold medalist Jordyn Wieber, survivors of sexual abuse from Dr. Larry Nassar
[Wieber on being abused from eight years old]: “Most of us don’t know childhood sexual abuse is happening while it is happening. A lot of us would have said then he was a good guy. At first I didn’t want to think about it, I’d block it out. I remember saying ‘he did that treatment to me but I wasn’t sexually abused.’ I didn’t want to go through the shame that I was sexually abused and let it happen.

“Everybody protected him and that makes me so angry — my motivation is to make sure no one goes through this again. That culture has to change. Coaches need to care about kids more and not about winning. The point of sports is not just to win.”

[Klein on testifying against Nassar]: “He was my loved one, my friend, my trusted advisor. I was 38 when the Indy Star article came out, and it took me time to realize … he had told me it was OK, that was all I ever knew. The article was the ‘aha moment’ of all aha moments. One in four women are sexually abused, most of us don’t get the chance to look at our abusers in the eye. I had to walk my eight-year-old self to that podium in court. It was a redefining moment for my identity … I was able to walk away as a woman.”

Jimmy Pitaro, Sage Steele and Rachel Epstein/ Dan Stark for ESPN

Jimmy Pitaro, ESPN president
[On the future growth of ESPN]: “We have to appeal to a younger audience, and if we don’t all of us will be in trouble. And I am speaking to all of us as an industry. We have to first and foremost protect the core audience, but also be creating products and services for the younger generation, and a very important component of that is girls. One of my biggest priorities is the brand, making it more relevant and for the younger generation.”

Also Read: ESPN Lands Knockout 7-Year Rights Deal With Top Rank Boxing

[On workplace equality]: “We have done a good job in terms of diversity but not always a good job at inclusion. I heard it and we’re doing something about it. Women cannot feel like they’re on the team and not in the game.”

“One of the things that I love about ESPN is it’s heart. So much that we do is about heart … telling those stories that get you emotional and gives you goosebumps. Sports is the great unifier. You forget about all the nonsense and the divisiveness that is out there right now.”

[On his wife, actress Jean Louisa Kelly’s career success]: “My wife is doing ‘Top Gun 2.'”
Related stories from TheWrap:

Former ESPN Host Jemele Hill Joins The Atlantic

ESPN+, Kevin Durant's Thirty Five Media Partner on Original Series 'The Boardroom'

ESPN+ Passes 1 Million Paid Subscriber Mark in Less Than 6 Months

www.thewrap.com | 10/4/18
SAN SEBASTIAN — Spain’s San Sebastian Festival signed a pledge on gender parity Sunday, following in the footsteps of other major festivals in Europe such as Cannes, Locarno, Sarajevo and Venice. San Sebastian Festival director José Luis Rebordinos made the commitment in the presence of Spanish deputy prime minister Carmen Calvo; the minister of culture […]
variety.com | 9/24/18
MADRID — Following on from the festivals of Cannes, Locarno, Sarajevo and Venice, of European events,  Spain’s San Sebastian Festival will  sign a pledge on gender parity Sunday. Signing the Charter for Parity and Inclusion of Women in Cinema, San Sebastián Festival director José Luis Rebordinos will be accompanied by Spain’s deputy prime minister Carmen […]
variety.com | 9/18/18
MADRID — Spain’s biggest national box office hit of the year, “Campeones” (Champions), has been selected by the Spain’s Academy of Motion Pictures Arts and Sciences as the country’s submission for a foreign-language Academy Award. Grossing €18.5 million ($$21.4 million) in Spain for Universal Pictures Intl. Spain, “Campeones” beat out two other contenders in a […]
variety.com | 9/6/18

With his Vidal-Buckley documentary “Best of Enemies” and this year’s smash hit about Fred Rogers, “Won’t You Be My Neighbor,” filmmaker Morgan Neville has proven himself a keenly sensitive, artful showman when surveying a career through archival footage and fresh interviews. He knows how to re-light the flame of a life, and that’s quickly apparent in his deeply entertaining and illuminating Orson Welles documentary “They’ll Love Me When I’m Dead.”

With impish respect, it chronicles the tortuous journey of Welles’ most notoriously unfinished-in-his-lifetime last movie, “The Other Side of the Wind.”

For cinephiles, it’s a high-calorie, clip-and-interview-laden feast of biography, insight, and gossip. Add to that the bonus that — unlike the dashed promise felt after absorbing “Jorodorwsky’s Dune” that the cinema gods were robbed — in this case there’s a finally completed “Wind,” assembled in recent years, also going out through Netflix. to go with Neville’s exhaustive behind-the-scenes appreciation. (Having watched “They’ll Love Me” prior to “Wind,” it’s safe to say they can be enjoyed in either order, since repeat viewings are likely for movie lovers, anyway.)

Watch Video: Watch the Trailer for Orson Welles' Lost Film 'The Other Side of the Wind'

Using an elegantly shot (in black-and-white) Alan Cumming at a reel-stacked edit bay as a Wellesian narrating device, Neville wastes no time setting the scene: how by the late 1960s, strapped for funding, still living in the shadow of “Citizen Kane,” and ready to be embraced by the younger, edgier Hollywood after years in European exile, Welles in 1970 launched headlong into filming an idea that had been percolating for years, even though he had no complete script, no full cast, and no outside funding.

The autobiographical (though Welles rarely admitted it) concept involved a mythic, exiled filmmaker’s 70th birthday, around which the faithful and sycophantic would gather, while the fate of the director’s attempted comeback project lay in the balance. Naturally, this also described the shooting of “The Other Side of the Wind” as it carried on piecemeal for six years with a cast that included John Huston, Peter Bogdanovich, and Welles’s lover-collaborator Oja Kodar.

Watch Video: 'Won't You Be My Neighbor?' Director Says Mister Rogers Is 'Empty From Our Culture'

Using a skeleton crew led by a young new cinematographer named Gary Graver, who cold-called Welles himself and whose own story as a dedicated worker bee shadows the film’s, Welles directed lush, vibrant scenes aping European art movies with Kodar (the film-within-the-film sequences). Alternatively, at a house in Arizona, one address over from the spread Antonioni blew up in “Zabriskie Point,” he shot the party sequences in a jagged documentary style.

Real-life details undergirded Welles’s narrative, in intensely psychological ways, never more so than that the director, through Huston’s character, played out onscreen his power-shifting relationship with acolyte and friend Bogdanovich, who wasn’t spared Welles’ ridicule. (Originally casting impersonator Rich Little in the role — an imitator as an imitator — was one such jab.)

Also Read: Netflix CEO Disses Cannes Film Fest After Streamer Pulls Out: There Are 'a Lot of Other Festivals'

Bogdanovich always helped his pal, though – his remembrances especially are tinged with the melancholy of loving a complex person. But at the point when money woes strained, Welles once more found himself the ever-loved cinema master — perpetual talk show guest, AFI honoree — but never to the tune of cash needed to realize a vision.

As Neville breezily relates an odyssey of chaos, inspiration, and impasses, he also makes expertly amusing, thematically-edited use of all manner of Welles footage (from movies, outtakes, television shows) so that the man himself becomes a chorus in his own story. The interviewee list of witnesses and collaborators is numerous, from the well-known to the unseen, their recollections and analyses sometimes differing, but nearly always intuitive.

The prime takeaway is of an irascibly charming, wounded and forceful genius both having the time of his life and sensing the gathering dusk. As the story eases into Welles’ final year, the most tantalizing question posed is whether he even wanted to finish catch-as-catch-can projects like “Wind”; was directing always about the exploration, the quest for “happy accidents,” and rarely the completion?

Eventually, Neville carries off his own winking director’s trick, with the help of Welles himself. Returning to footage used earlier, filmed by the Maysles brothers in Spain in the ’60s, of an energized Welles regaling a captive audience in a hotel lobby with his vision for what sounds like what eventually became “Wind,” the pitch turns enchantingly meta — that the future movie just might have to include them, in that moment, talking about it.

After the rollercoaster journey “They’ll Love Me” details, it’s enough to make one contemplate: Could Neville’s documentary be, in a sense, what Welles wanted “The Other Side of the Wind” to be all along? Someone else’s movie about Orson Welles’s movie about a fictional director’s movie which is inside another movie that’s ultimately about all movies?

Cheekily, Neville reveals he knows you’re thinking this, and it’s the perfect capper for his engaging hat-tip to a legend for whom the movies were always worth imagining, celebrating, and forever trying to get made.

Related stories from TheWrap:

Venice Film Festival 2018: Coen Brothers, Alfonso Cuaron, Julian Schnabel to Unveil New Work

Alfonso Cuarón's 'Roma' to Screen as New York Film Festival Centerpiece

Netflix Lands Cannes Award Winners 'Happy as Lazzaro' and 'Girl'

Kathryn Trosper Popper, 'Citizen Kane' Actress and Orson Welles' Assistant, Dies at 100

www.thewrap.com | 9/1/18

Mixed martial arts league Combate Americas is launching its own TV studio, TheWrap has learned exclusively, making it the first MMA organization to start a production company. Veteran foreign film producer Stan Jakubowicz will run La Jaula Studios, which will create content for both linear television and digital platforms.

“Our mission with La Jaula Studios is to tell the bold, untold and unfiltered stories of the real-life heroism behind Combate’s fighters and their communities,” the Hispanic fight league and media company’s president, Jacqueline Hernandez, told TheWrap. “Stan’s proven creative expertise and uncontainable passion for this sport make him a perfect fit to lead La Jaula.”

La Jaula Studios, which will be based in New York, plans to target its content toward Hispanic millennials and Generation Z. Shows and other short-form content will be produced in Spanish, English and Portuguese, which production taking place in Latin America, Brazil, Spain, Portugal and the U.S., among other regions.

Also Read: Alberto Del Rio: 90 Percent of WWE Wrestlers Have Never Been in a Real Fight

La Jaula Studios will offer a variety of programming, including lifestyle-documentary to scripted series, feature films, short-form digital, social and mobile content – and customized, sponsor-branded interstitials that will air during highly-watched Combate Americas live Mixed Martial Arts (MMA) television and digital events. This content will offer brands and advertisers a unique opportunity to connect with Combate Americas’ audience.

Jakubowicz’s film credits include “La Mujer de Mi Hermano,” “The German Doctor,” “Visitantes” and “El Inca.”

He has been Emmy-nominated as a television producer.

Also Read: ESPN Becomes Sole TV Home to UFC in $1.5 Billion Mega-Deal

Here are La Jaula’s initial projects, with descriptions in the company’s own words:

“Rootas “(working title, pictured above): A docuseries chronicling the lives of six Combate Americas fighters on their journey told first-hand through their eyes. The first episode will feature Mexican MMA superstar Erik “Goyito” Perez, as he heads to an unfamiliar world — Thailand — to train under legendary Muay Thai champion Buakaw Banchamek, a fighter whose unmatched speed and devastating knockout power in the ring has transformed him to one of the most sought-after commodities in the fight world.

“The Real Deal” A major motion picture and docuseries chronicling the life and career of Amanda “The Real Deal” Serrano, the only female fighter and only Puerto Rican fighter in history to win five world boxing championships in five different weight divisions, as she sets her sights on achieving another unprecedented feat — becoming the first fighter in history to win a major MMA world championship while simultaneously retaining a world boxing title.

Related stories from TheWrap:

UFC's Andrea 'KGB' Lee Apologizes After Defending Husband's Swastika Tattoo (Photo)

Former WWE Star Emma Reveals Why She Bailed on UK's Ring of Honor Tour

How Hulk Hogan Apologized to WWE Locker Room for N-Word Use (Audio)

www.thewrap.com | 8/21/18
www.autoblog.com | 8/8/18
In the charming city of Seville and the wine region of Ribera del Duero, our columnist finds a culture perfectly suited to her natural rhythms.
www.nytimes.com | 8/7/18
On Thursday, July 26, many Russians could see the phantom of the good old iron curtain falling between Russia and the West. The news came from the press secretary of the Russian Union of Travel Industry, Irina Tyurina. Last week, United Russia MPs proposed amending the federal law about the procedure to leave and enter the territory of the Russian Federation. In accordance with these amendments, the Russian Ministry for Foreign Affairs should hold mandatory accreditation of all companies rendering intermediary visa registration services to Russian citizens. In order to obtain accreditation, a visa issuance company is supposed to have representative offices in at least 20 regions of the Russian Federation, whereas the share of foreign participation in the authorized capital of the company should not exceed 20 percent. In addition, applicants should have certified technical means to process confidential information (including biometric personal data). The amendments also require at least three years of experience in collecting and processing documents for obtaining visas on behalf of diplomatic missions and consular missions.According to the press secretary of the Russian Union of Travel Industry, Irina Tyurina, none of  existing operators can meet the criteria proposed in the draft law. For example, it is unclear how they should comply with the requirement of foreign participation. Presently, there are six companies that run visa service centers in Russia: VFS Global, GVCW - Greece, VMS - Italy, BLS - Spain, India, TLS - Great Britain, Switzerland, Belgium and Pony Express. The information on each of these companies is available to the public in the state register of legal entities.It is unlikely that these companies can be replaced with Russian ones: even if they meet all other requirements, Russian companies will not have three years of experience in rendering visa services. Needless to say that the adoption of amendments will trigger a mirror response from other countries. In this case, big plans to attract foreign tourists to Russia, especially after the World Cup, may not materialize.To make matters worse, residents of Russians regions will have to come to Moscow to get a visa to a foreign country. They will also have to spend many hours standing in long lines to visa departments of foreign embassies, as it was practiced during the 2000s. In a nutshell, all this is nothing but bad news that, if it becomes real, will complicate the lives of all Russian travelers. The news triggered countless "iron curtain" discussions in social media in Russia. The "iron curtain" has many holes in it as Russia has visa-free regime with many countries. Yet, the curtain would be very strong when it comes to a trip to Europe or to the States. Deputy Chairman of the State Duma Committee for Physical Culture, Sport, Tourism and Youth Affairs, Sergei Krivonosov, (United Russia) said that the Russian authorities, on the contrary, seek to minimize visa restrictions."At the initiative of the president, we are currently preparing proposals to simplify visa procedures. There are a number of countries that have already simplified the procedure to issue visas for Russian citizens. I haven't heard of the initiative that you're talking about. The State Duma's Subcommittee on Tourism (Sergei Krivonosov heads it - ed.) works to simplify visa procedures," the MP told Pravda.Ru. "We do want to make the procedure simpler, because we've had problems with bankruptcies of tour operators. We believe that an electronic visa can help. I am sure that there is no iron curtain of any type involved," Sergei Krivonosov added. Oleg ArtyukovPravda.Ru Read article on the Russian version of Pravda.Ru
By Mahboob A Khawaja, PhD.Global politics is fraught with man-made catastrophic tragedies. The human beings are supposed to be the most intelligent social animal on the planet. Yet, our proactive plans and actions continue to dehumanize the fellow human beings and engineer conflicts and wars that destroy the existence of mankind. The driving impulse is war economies, individualistic interest and militarization. We come to realize that politics is a game of pretension and always remains problematic. Politicians need problems to get public attention and to argue being the deliverers. Often, they are not except being treacherous, cynical and deceitful to their ideas and ideals and to the public interests they claim to serve.Amongst all the creations on Planet Earth, humans are the only one to claim morality as an attribute of life and value. This reality emphasizes and differentiates us from the other creations of God. If we propel uncertainty in our thoughts and behavior, nothing can stop us from surpassing the limit of immorality and insanity. With knowledge-based 21st century human communications improving global collaboration, we are not moving in the right direction that human logic and truth spell out for our conduct in peaceful relationships. The impulse and actions for cruelty and sadistic behavior are increasingly sending alarming trends for the present and future generations to be informed of our implicit wickedness and resulting failure in global affairs. As humans, we are not thinking or moving for the unity of mankind to be at peace and harmony being the chief creation of God. Unless, we are overwhelmed philosophically to imagine that we are something else than humans populating the Earth by chance. Global Institutions are a Menace to Human Change and Progress The global warlords are waging wars in the name of peace and harmony. Humanity is being crushed and its compound interest undermined by the few for economic greed and militarization. The UNO originated from the belief and commitment to avert futuristic wars by men of new ideas pursuing peaceful means, diplomacy and accountability to the global mankind. How sad and cynical it looks to view the succeeding generations entrapped again into the same mindset of warmongering and power politics as were the sadistic leaders before the Two WW. Like the past, once again few egoistic nations and leaders have manipulated the time and opportunities to dictate and undermine the interests of the mankind.  The global humanity is the net object of their planned cruelty but without any meaningful role to challenge the few global warlords.  America, Russia and few Europeans find freehand to go anywhere and bomb the humanity at will. This is what exactly happening in the broader Arab Middle East war theatre managed by global warlords. The UNO and its Secretary General need to free themselves from captivity and enlarge their role and initiatives for conflict management and peace-making outside the New York established box. Words and Charter's core thoughts are repeated but actions are missing. The UN Security Council could finally visit the Rohinga refugee camps but failed to demand equal treatment from the Myanmar Government. Strange, why the same UN Security Council cannot travel to defuse tensions and bring much needed humanitarian peace between Palestine and Israel. Could it shrink its inherent responsibility for the mismanagement of the Middle East conflict?   Humanity in Search of Proactive Leaders The 21st century global politics have not produced any new leaders of vision and moral integrity to imagine the universal phenomenon of peaceful change and futuristic developments. There are no global organizations managed by people of moral and intellectual vision and courage to serve the interests of the global community. Man is a moral and intellectual being articulating happiness and progress horizontally in peace-time, but when fear of the unknown, hatred and animosity attempt to govern the human consciousness, degeneration replaces human progress. America and some Europeans used to be the leaders of change and new strategies to envisage global friendship, co-existence and harmony of the mankind.  If political greed and egoistic interest are the supreme force, how could they serve the interest and priorities of the global mankind for peace and harmony? At best, many world leaders could best be defined as "hangmen" of the 21st century. It is a frightening trend for the present and future generations to imagine our time and role in human history. The Middle East - the Ancient Hub of Humanity - the Land of Abrahim, Moses, Jesus and Mohammad is being ScorchedThe continuing wars in the Middle East are fabricated and gone out of proportion challenging the human conscience and civilized values that once highlighted the human behavior in conflicts. Syria, Iraq, Yemen, Palestine and Libya are destroyed by political design. Do you remember the paradoxes of history? Do you recall what Sultan Salahudeen Ayoubi did to free Jerusalem and drive out the Crusaders from the ancient lands?  Do you remember how Sultan Salahudeen treated his enemies - King Richard and others even in the battlefield? Do you know that for ages the European feared Salahudeen - the Conqueror of Jerusalem? The contemporary Arab world is devoid of moral and intellectual leadership of any kind. They operate on a dead-ended scale without any role in global affairs. Jerusalem was not US property to be transferred top Israel; it belongs equally to Judaism, Christianity and Islam. Under the UNO Plan, Jerusalem is an international city to be shared by all the believers. Yet, the puppet Arab leaders showed no moral courage to question President Trump for moving the Embassy to Jerusalem. One wonders why the Saudi King signed 250 billion worth of military contracts and gave 100 million to Ivanka Kushner when Trump visited the region last August.  It could well be witnessed by the raging sectarian wars in Syria, Iraq, Yemen and elsewhere. There is no coming of Salahudeen to rescue the entrenched Palestinians. After 70 years of Nakba, they still have No thinking plan, no leadership, no movement for change and freedom except reactionary emotional outbursts. When Jews lived with the Arabs in Spain (Al-Andulsia) for centuries, they were part of the Arab culture and advancements for the best of humanity. European mistreated Jews but Muslims gave them the best for their protection and participation in Islamic civilization. Look, what is happening now between Palestine and Israel. Gideon Levy ("60 Killed In Gaza And The End Of Israeli Conscience", Haaretz and Information Clearing house: 5/21/2018), spells out the present reality for Israelis to think critically:On the night of the Palestinians' slaughter, Zion exulted an embassy and a Eurovision. It's difficult to think of a more atrocious moral eclipse....The truth is that Israel is well prepared to massacre hundreds and thousands, and to expel tens of thousands. Nothing will stop it. This is the end of conscience, the show of morality is over. The last few days' events have proved it decisively. The tracks have been laid, the infrastructure for the horror has been cast. Dozens of years of brainwashing, demonization and dehumanization have borne fruit. The alliance between the politicians and the media to suppress reality and deny it has succeeded. Israel is set to commit horrors. Nobody will stand in its way any longer. Not from within or from without....If 60 stray dogs were shot to death in one day by IDF soldiers, the whole country would raise an outcry. The dog slaughterers would be put on trial, the nation of Israel would have devoted prayers to the victims, a Yizkor service would be said for the dogs slaughtered by Israel....The Israeli brain has been washed irrevocably, the heart sealed for good. The life of a Palestinian is no longer deemed to be worth anything.Towards Thinking of Future-MakingWe live in one Planet Earth. What happens across the globe or in the remote jungles of Botswana and or in the rugged mountains of Afghanistan or the bloody streets of Kabul, Damascus and Baghdad, it is vital to global interests and cannot be ignored because European or American television networks do not portray it. According to the Divine revelations, the Earth keeps record of all the human activities. The Earth is a living entity, not dead.  There were many powerful and unchallenging empires and nations in history. What happened to their self-perpetuated glory and triumphs except being part of the archeological record? To all concerned, their artifacts and deadly remains do tell the real story. Most were destroyed by natural causes but the Earth remains in-tact, not by the legislative power of any States of the UN membership but certainly by the Will of God. It operates and maintains balanced life for all regardless of ethnicity, color, creed, religions and nationalism. Should we not care how we live, utilize and draw lifelong gains from the Earth?  We the humans urgently need rethinking to reflect on our plans and behaviors how do we relate to Earth? It is an indivisible comprehensive relationship. The answer should help us to balance our life. When could this historic change come into being? If we realize to be One Humanity living on One Planet Earth, its imagination could affect and balance our thoughts and behavior. We must respect equal human rights and dignity of all on Earth. Do the Super Powers (powerful nations) have a sense of indifference and biased toward the colored and economically less advanced nations?  In its 2014 Global Thinkers statistics, Foreign Policy ("A World Disrupted: The global Thinkers of 2014") pinpoints that "something big requires a team rather than an individual...." To enhance global peace and to undo the continuing bogus war on terrorism, there is an urgent need for teamwork by all concerned across the globe. The teamwork if undertaken with unbiased mind and  without pre-conceived notions could usher sustainable change and a new beginning between those who claim to be at peace and somewhat superior than the ordinary folks and those who are fighting reactionary wars of freedom against insanity and catastrophic devastation of the human habitats. Under 'Advocates', the Foreign Policy notes:"The global thinkers herald causes often wrongly considered inconsequential or verboten. They support forgotten victims of sexual violence, protect civilian targeted in internecine violence, count casualties in the fog of war, and demand legal protection for world's most vulnerable migrants. Often these men and women, scholars, activists and religious leader among them- do this work on their own peril and pay the price landing in court or in prison in some of the world's most repressive countries. For all of them, however, the risk is worth the possible rewards."

If “Jurassic World: Fallen Kingdom” left you craving more Jeff Goldblum, fear not — the original films in the franchise will be coming to Netflix at the start of July.

“Jurassic Park,” “The Lost World: Jurassic Park” and “Jurassic Park III” will fill out the streamer’s movie lineup, along with other action-packed epics “Troy” and “Journey to the Center of the Earth.” On the other end of the spectrum, indie romances “Blue Valentine” and “Her” will come July 5 and July 29, respectively.

In the realm of television, the sixth season of “Orange is the New Black” drops July 27 and the eighth season of “Shameless” arrives July 28.

Also Read: 'Jurassic World: Fallen Kingdom' Post-Credits Scene Explained

See below for the complete list of titles coming to Netflix in July.

Arriving in July (Date Not Announced)

El Chapo: Season 3

Avail. July 1

Blue Bloods: Season 8

Bo Burnham: what.

Chocolat

Deceived

Finding Neverland

Get Smart

Happy Gilmore

Hawaii Five-O: Season 8

Interview with the Vampire

Journey to the Center of the Earth

Jurassic Park

Jurassic Park III

Madam Secretary: Season 4

Menace II Society

NCIS: Season 15

Pandorum

Penelope

Queens of Comedy: Season 2

Rica, Famosa, Latina: Seasons 1-4

Scooby-Doo

Scooby-Doo 2: Monsters Unleashed

Spanglish

Stealth

Swordfish

The Boondock Saints

The Lost World: Jurassic Park

The Princess Diaries

The Voices

Traitor

Troy

Van Helsing

We Own the Night

We the Marines

What We Started

Avail. July 2

Dance Academy: The Comeback

Good Witch: Season 4

King of Peking

Romina

The Sinner: Season 1

Avail. July 3

The Comedy Lineup– NETFLIX ORIGINAL

A diverse group of up-and-coming comedians perform 15-minute sets in this stand-up comedy showcase series.

Avail. July 5

Blue Valentine

Avail. July 6

Anne with an E: Season 2– NETFLIX ORIGINAL

Anne’s beloved world of Green Gables becomes a much bigger place, with new faces and heartfelt lessons about love, loss and growing up.

Comedians in Cars Getting Coffee: New 2018: Freshly Brewed– NETFLIX ORIGINAL

In a new set of episodes for 2018, Jerry Seinfeld takes a ride with 12 comedy heavyweights, including Jerry Lewis, Ellen DeGeneres and Dave Chappelle.

First Team: Juventus: Part B– NETFLIX ORIGINAL

In the second half of the season, Juve hope to hold off stiff challenges to winning another league title while moving forward in the Champions League.

Free Rein: Season 2– NETFLIX ORIGINAL

As Zoe and the Bright Fields team prepare for Junior Nationals, they must overcome the loss of a team member, a mysterious fire and other obstacles.

Inside the World’s Toughest Prisons: Season 2– NETFLIX ORIGINAL

Raphael Rowe, who spent 12 years behind bars for a crime he didn’t commit, investigates some of the world’s toughest prisons from the inside.

Sacred Games– NETFLIX ORIGINAL

Set amid the chaos of Mumbai, this epic series explores the corrupt underworld lurking beneath India’s economic renaissance. Based on the novel.

Samantha!– NETFLIX ORIGINAL

A child star in the ’80s, Samantha clings to the fringes of celebrity with hilarious harebrained schemes to launch herself back into the spotlight.

Somebody Feed Phil: The Second Course– NETFLIX ORIGINAL

Phil Rosenthal continues his culinary journey of the world, making stops in Dublin, Venice, Buenos Aires, Copenhagen, Cape Town and New York City.

The Fosters: Season 5 New Episodes

The Legacy of a Whitetail Deer Hunter– NETFLIX FILM

All he wants out of this trip is a chance to bond with his son. And for his son to kill a deer. And to get it all on video.

The Skin of The Wolf– NETFLIX FILM

An animal trapper living in an abandoned mountain town in northern Spain seeks to resolve his loneliness by securing a wife.

White Fang– NETFLIX FILM

A loyal wolfdog’s curiosity leads him on the adventure of a lifetime in this animated update of a Jack London classic set in Canada’s Yukon Territory.

Avail. July 7

Scream 4

Avail. July 9

Lockup: Extended Stay: Collection 1

Avail. July 10

Drug Lords: Season 2– NETFLIX ORIGINAL

Drug lords El Chapo, Jemeker Thompson, Christopher Coke and Klaas Bruinsma use fear and violence to make money and avoid authorities.

Avail. July 12

Gone Baby Gone

Avail. July 13

How It Ends– NETFLIX FILM

As a mysterious apocalypse causes the spread of misinformation and violence, a man and his estranged father-in-law race across a chaotic and fractured country to save his pregnant wife.

Jim Jefferies: This Is Me Now– NETFLIX ORIGINAL

Jim Jefferies returns to Netflix with his third Netflix Original stand-up special, Jim Jefferies: This Is Me Now. Performing at the Eventim Apollo in London, the comedian and host of The Jim Jefferies Show unapologetically keeps it real when he opens up about the challenges of being a single father, reflects on the time someone tried to unsuccessfully extort him for money with a sex tape, and the weirdest gig he’s ever played.

Kevin Hart: Let Me Explain

Sugar Rush– NETFLIX ORIGINAL

Time’s the most important ingredient as competitive teams race against the clock to bake up the best-tasting sweets.

The Epic Tales of Captain Underpants– NETFLIX ORIGINAL

Facing one misadventure after another, two rascally 4th-grade pals turn their ornery principal into Captain Underpants, a superhero to save the day.

Avail. July 15

Bonusfamiljen: Season 2– NETFLIX ORIGINAL

As Lisa and Patrik take their relationship to the next level, mishaps, money troubles and a startling revelation leave the whole family reeling.

Going for Gold

The Joel McHale Show with Joel McHale: Part 2– NETFLIX ORIGINAL

Trending news, pop culture, social media, original videos and more come together in host Joel McHale’s weekly comedy commentary show.

Avail. July 20

Amazing Interiors– NETFLIX ORIGINAL

They might look ordinary on the outside. But inside, these stunning homes have some jaw-dropping secrets to reveal.

Dark Tourist– NETFLIX ORIGINAL

From a nuclear lake to a haunted forest, journalist David Farrier visits unusual — and often macabre — tourism spots around the world.

Deep Undercover: Collection 3

Duck Duck Goose– NETFLIX FILM

A carefree goose takes a pair of lost baby ducklings under his wing after he’s grounded with an injury. Together, they go on a wild adventure.

Father of the Year– NETFLIX FILM

Two college grads return to their hometown, where a hypothetical question — whose dad would win in a fight? — leads to mass mayhem.

Fix It and Finish It: Collection 3

Home: Adventures with Tip & Oh: Season 4– NETFLIX ORIGINAL

Fun-loving Tip and her goofy Boovian BFF take on the world in a new season packed with awesome adventures and cool tunes.

Jimmy: The True Story of a True Idiot– NETFLIX ORIGINAL

In the 1980s, a simple-minded fool named Hideaki meets comedy legend Sanma, changes his name to Jimmy and becomes a comic superstar.

Last Chance U: EMCC & Life After– NETFLIX ORIGINAL

With “Last Chance U” in their rearview mirrors, EMCC players, coaches and staff members reveal how life has gone for them since the show.

Last Chance U: INDY: Part 1– NETFLIX ORIGINAL

The acclaimed series shifts to Independence Community College in Kansas, where a tough-as-nails coach attempts to rebuild a struggling program.

Luna Petunia: Return to Amazia: Season 2– NETFLIX ORIGINAL

She’s back with the power to make the impossible possible! Join Luna and her friends for more magical adventures in Amazia and beyond.

Avail. July 22

An Education

Disney’s Bolt

Avail. July 24

The Warning– NETFLIX FILM

After the loss of his friend, a mathematical genius figures out a pattern of deaths at a gas station and sets out to warn the next young victim.

Iliza Shlesinger: Elder Millennial– NETFLIX ORIGINAL

Avail. July 27

Cupcake & Dino – General Services– NETFLIX ORIGINAL

In this outrageous animated series, an ambitious cupcake and his friendly dinosaur brother try to rule the general services industry in the big city.

Extinction– NETFLIX FILM

Plagued by dreams of an alien invasion, a family man faces his worst nightmare when an extraterrestrial force begins exterminating Earth’s inhabitants.

Orange Is the New Black: Season 6– NETFLIX ORIGINAL

In the wake of the riot, the women are taken to maximum security prison and face serious charges.

Roman Empire: Reign of Blood: Master of Rome– NETFLIX ORIGINAL

Julius Caesar rises to establish one of history’s greatest dynasties but quickly discovers that unchecked power comes with a price.

The Bleeding Edge– NETFLIX ORIGINAL

This groundbreaking documentary explores how America’s profit-driven multibillion-dollar medical device industry puts patients at risk daily.

The Worst Witch: Season 2– NETFLIX ORIGINAL

A second year at Cackle’s Academy means double the magic and mischief for accident-prone witch in training Mildred Hubble and her friends.

Welcome to the Family– NETFLIX ORIGINAL

When a broke single mom’s estranged father dies, she and his girlfriend try to cover up his death after learning they’ve been written out of his will.

Avail. July 28

Shameless: Season 8

The Company Men

Avail. July 29

Her

Sofia the First: Season 4

Avail. July 30

A Very Secret Service: Season 2– NETFLIX ORIGINAL

Amid rising Cold War tensions, the clueless agents trigger a series of international crises, and André goes rogue on a mission of his own.

Avail. July 31

Terrace House: Opening New Doors: Part 3– NETFLIX ORIGINAL

A new female member joins Terrace House, driving the male members to distraction. And with Valentine’s Day approaching, confessions are in the air.

Leaving July 1

Alive

Along Came Polly

An Honest Liar

Beerfest

Before Midnight

Bring It On

Bring It On Again

Bring It On: All or Nothing

Bring It On: Fight to the Finish

Bring It On: In It to Win It

Cocktail

Extremely Loud and Incredibly Close

Lethal Weapon

Lethal Weapon 2

Lethal Weapon 3

Lethal Weapon 4

Little Women

Michael Clayton

Midnight in Paris

Mixed Signals

More Than a Game

Pandemic

Piglet’s Big Movie

Rugrats Go Wild

Scary Movie

Scream 3

Terminator 3: Rise of the Machines

The Art of War

Tropic Thunder

V for Vendetta

Leaving July 2

Breakfast at Tiffany’s

Leaving July 8

Alpha & Omega: Journey to Bear Kingdom

Real Husbands of Hollywood: Seasons 1-5

Leaving July 9

Ratchet and Clank

Serena

Leaving July 11

Alice Through the Looking Glass

Leaving July 14

Wild Hogs

Leaving July 15

Convergence

Lockup: State Prisons: Collection 1

Small Is Beautiful: A Tiny House Documentary

Leaving July 16

Changeling

Wanted

Leaving July 29

The Den

Leaving July 30

A Cinderella Story

Hurricane of Fun: The Making of Wet Hot

Swing State

Related stories from TheWrap:

'Jurassic World: Fallen Kingdom' Roars to $15.3 Million at Thursday Box Office

Does 'Jurassic World: Fallen Kingdom' Have a Post-Credits Scene?

Netflix Chief Communications Officer Jonathan Friedland Out After Using the N-Word Twice

www.thewrap.com | 6/22/18

The culture of Spain is a European culture based on a variety of influences. These include the pre-Roman cultures, mainly the celts and the Iberians cultures; but mainly in the period of Roman influences. In the areas of language and religion, the Ancient Romans left a lasting legacy. The subsequent course of Spanish history also added elements to the country's cultural development. The Visigothic Kingdom left a sense of a united Christian Hispania that was going to be welded in the Reconquista. Muslim influences were strong during the period of 711 AD to the 15th century, especially with loan words. The Spanish language, derives directly from Vulgar Latin, and has minor influences from pre-roman languages like barro -mud-, gothic guerra -war-, Arabic and basque Other minorities includes the Jewish population in some cities, but after the defeat of the Muslims during the Christian "Reconquista" (Reconquest) period between 1000 and 1492, Spain became an almost entirely Roman Catholic country. In addition, the history of the nation and its Mediterranean and Atlantic environment have played a significant role in shaping its culture. By the end of the 19th and 20th, the Spaniards made expressions of cultural diversity easier than it had been for the last seven centuries. This occurred at the same period that Spain became increasingly drawn into a diverse international culture. Spain has the second highest number of UNESCO World Heritage Sites in the world, with a total of 42.


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