Français | English | Español | Português

Austria Education

There are no zombies on the red carpet of the Croisette, a reporter told Bill Murray after the world premiere of his latest film “The Dead Don’t Die,” which opened the Cannes Film Festival Tuesday.

“Says you,” Murray (un)dead-pans in response.

During the press conference following Jim Jarmusch’s zombie comedy, Murray said he finds Cannes “frightening,” and it’s hard not to come away with that assessment when “The Dead Don’t Die” managed to bring together an unusual assemblage of art-house darlings and global pop stars for the occasion.

Jarmusch donned his trademark sunglasses on the red carpet and received a (expected) standing ovation as the screening was began, and he was joined by the film’s diverse crop of stars, including Adam Driver, Tilda Swinton, Chloe Sevigny and even Selena Gomez, who were all in attendance.

Also Read: Jim Jarmusch's 'The Dead Don't Die' Splits Cannes Audience: 'Winningly Eccentric' or 'Invasion of Clichés'

And the film itself is a nonchalant, hipster commentary on people sleepwalking through the modern age as well as the Trump era. A red hat worn by Steve Buscemi’s character in the film that read “Make America White Again” was a popular talking point among critics after the first screenings in the Grand Theatre Lumiere and the Sally Debussy theater next door. And it’s not unusual for this generally tough Cannes crowd to be fairly mixed on the splashy opening night film, even for someone as respected as Jarmsuch.

“It’s the self-awareness that really hurts it,” TheWrap’s critic Ben Croll wrote in his review. “Jarmusch knows that his audience wants to see Murray and Driver riff in deadpan and that the image of Swinton strutting down the street wielding a katana will set the internet ablaze, so he offers them as much, without ever feeling the imperative to go a step beyond.”

Also Read: 16 of Cannes' Hottest Directors, From Pedro Almodóvar to Céline Sciamma (Exclusive Photos)

Photo by Pascal Le Segretain/Getty Images

Cannes Jury Press Conference Touches on Diversity, Netflix and the Border Wall

Elle Fanning, filmmakers Kelly Reichardt and Alice Rohrwacher, and Senegalese actress Maimouna N’Diaye are among the women serving on this year’s Cannes main competition jury led by Alejandro González Iñárritu. The group represents one of the most diverse juries the festival has ever had, with 21-year-old Fanning the youngest jury member the festival has ever had.

And while the festival has been committed to striving toward 50/50 gender parity, the women on the jury would very much like to move past the same questions about being a “woman” filmmaker.

“I look forward to a time that will come when we don’t have to say ‘women directors’ or ‘as a woman,'” Reichardt said at the press conference Tuesday.

“But it’s odd when we’re asked this question,” Rohrwacher added. “It’s sort of like asking someone who survived a shipwreck why he’s still alive. Everyone is on the beach — ‘Why are you still alive?’ Why are you asking us? Well, ask the person who built the boat, who sold the tickets, the schools. People have said there haven’t been enough women, but it’s not enough to talk about at the end [of the chain]. We have to look at the beginning of the chain.”

Also Read: Cannes Market Preview 2019: What Are Buyers Looking for This Year?

Splashy International Deals

The Cannes marketplace is also just kicking off at the festival, but select international deals are already in place for some of the competition films.

Sony Pictures Worldwide Acquisitions nabbed select territories to Sally Hawkins’s “Eternal Beauty,” according to The Hollywood Reporter, excluding the U.S., Canada, France, Germany, Austria, Switzerland, the U.K., China, Japan, South Korea and the Middle East. And Focus Features acquired the international rights to Robert Eggers’s film “The Lighthouse,” which A24 already has domestic rights to distribute.

Related stories from TheWrap:

16 of Cannes' Hottest Directors, From Pedro Almodóvar to Céline Sciamma (Exclusive Photos)

10 Best Cannes Films of the Last 10 Years, From 'Melancholia' to 'Amour' (Photos)

18 Hot Sales Titles in Cannes, From 'Moonfall' to 'Cherry'

www.thewrap.com | 5/15/19
ELS'19 - 12th European Lisp Symposium Hotel Bristol Palace Genova, Italy April 1-2 2019 In cooperation with: ACM SIGPLAN In co-location with 2019 Sponsored by EPITA and Franz Inc. http://www.european-lisp-symposium.org/ Recent news: - Submission deadline extended to Friday February 8. - Keynote abstracts now available. - registration now open: https://2019.programming-conference.org/attending/Registration - Student refund program after the conference. The purpose of the European Lisp Symposium is to provide a forum for the discussion and dissemination of all aspects of design, implementation and application of any of the Lisp and Lisp-inspired dialects, including Common Lisp, Scheme, Emacs Lisp, AutoLisp, ISLISP, Dylan, Clojure, ACL2, ECMAScript, Racket, SKILL, Hop and so on. We encourage everyone interested in Lisp to participate. The 12th European Lisp Symposium invites high quality papers about novel research results, insights and lessons learned from practical applications and educational perspectives. We also encourage submissions about known ideas as long as they are presented in a new setting and/or in a highly elegant way. Topics include but are not limited to: - Context-, aspect-, domain-oriented and generative programming - Macro-, reflective-, meta- and/or rule-based development approaches - Language design and implementation - Language integration, inter-operation and deployment - Development methodologies, support and environments - Educational approaches and perspectives - Experience reports and case studies We invite submissions in the following forms: Papers: Technical papers of up to 8 pages that describe original results or explain known ideas in new and elegant ways. Demonstrations: Abstracts of up to 2 pages for demonstrations of tools, libraries, and applications. Tutorials: Abstracts of up to 4 pages for in-depth presentations about topics of special interest for at least 90 minutes and up to 180 minutes. The symposium will also provide slots for lightning talks, to be registered on-site every day. All submissions should be formatted following the ACM SIGS guidelines and include ACM Computing Classification System 2012 concepts and terms. Submissions should be uploaded to Easy Chair, at the following address: https://www.easychair.org/conferences/?conf=els2019 Note: to help us with the review process please indicate the type of submission by entering either "paper", "demo", or "tutorial" in the Keywords field. Important dates: - 08 Feb 2019 Submission deadline (*** extended! ***) - 01 Mar 2019 Notification of acceptance - 18 Mar 2019 Final papers due - 01-02 Apr 2019 Symposium Programme chair: Nicolas Neuss, FAU Erlangen-Nürnberg, Germany Programme committee: Marco Antoniotti, Universita Milano Bicocca, Italy Marc Battyani, FractalConcept, France Pascal Costanza, IMEC, ExaScience Life Lab, Leuven, Belgium Leonie Dreschler-Fischer, University of Hamburg, Germany R. Matthew Emerson, thoughtstuff LLC, USA Marco Heisig, FAU, Erlangen-Nuremberg, Germany Charlotte Herzeel, IMEC, ExaScience Life Lab, Leuven, Belgium Pierre R. Mai, PMSF IT Consulting, Germany Breanndán Ó Nualláin, University of Amsterdam, Netherlands François-René Rideau, Google, USA Alberto Riva, Unversity of Florida, USA Alessio Stalla, ManyDesigns Srl, Italy Patrick Krusenotto, Deutsche Welle, Germany Philipp Marek, Austria Sacha Chua, Living an Awesome Life, Canada Search Keywords: #els2019, ELS 2019, ELS '19, European Lisp Symposium 2019, European Lisp Symposium '19, 12th ELS, 12th European Lisp Symposium, European Lisp Conference 2019, European Lisp Conference '19

The Republic of Austria has a free and public school system, and nine years of education are mandatory. Schools offer a series of vocational-technical and university preparatory tracks involving one to four additional years of education beyond the minimum mandatory level. The legal basis for primary and secondary education in Austria is the School Act of 1962. The federal Ministry of Education is responsible for funding and supervising primary, secondary, and, since 2000, also tertiary education. Primary and secondary education is administered on the state level by the authorities of the respective states. Federal legislation played a prominent role in the education system, and laws dealing with education effectively have a de facto constitutional status because, like Austrian constitutional law, they can only be passed or amended by a two-thirds majority in parliament.


From dbpedia, under creative commons CC-BY-SA
w3architect.com | hosting p2pweb.net
afromix.org | afromix.info | mediaport.net | webremix.info