The Free Democrats touted its education policy with an ad on Twitter that featured a man fixing mispelled far left and right slogans. Critics slammed FDP for being tone deaf and trivializing Nazi slogans.
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There are more teachers from abroad working in German schools than ever before. The last 10 years has seen an increase of 61% in the number of foreign teachers.
www.dw.com | 10/2/19
Eric Pleskow, a long-time Hollywood executive who served as the head of Orion Pictures and United Artists and oversaw the production of 14 different Oscar winners for Best Pictures, has died. He was 95.
Pleskow’s death was announced Tuesday by the Vienna Film Festival; the Austrian-born executive and film producer had served as the festival’s president since 1998.
“His death is a great loss for all of us. Eric had a fulfilled and long life and we appreciated him as a longtime friend and companion of our festival. As president and patron of the Viennale, he has always carried us with his humor and foresight,” the Viennale said in a statement. He will be missed deeply. We express our sincere condolences and heartfelt sympathy to his family.
Also Read: Jessye Norman, Opera Legend, Dies at 74
As president of United Artists between 1973 to 1978 Pleskow — the first European to lead the company since co-founder Charlie Chaplin — oversaw a three-year span in which the films “One Flew Over the Cuckoo’s Nest,” “Rocky” and “Annie Hall” all won Best Picture at the Oscars.
Pleskow then formed Orion Pictures following the takeover of United Artists by Transamerica, leading the company until 1992 and developing other classics such as “Amadeus,” “Dances With Wolves” and “The Silence of the Lambs.”
Born in Vienna in April 1924, Pleskow’s family emigrated to the United States after the Nazi Germany takeover of Austria. He was drafted by the U.S. army in 1943 and after the war served as a translator for interrogations during the denazification of Germany and Austria. Having received a brief education in film editing, he became a film officer for the U.S. war department and was assigned the task of rebuilding Munich’s Bavaria Film Studios. Shortly thereafter he joined United Artists as a European sales manager and would work his way up to president.
In 2007, he was made an honorary citizen Vienna and had a cinema hall in the Metro Kinokulturhaus named after him.
“Turning 95 doesn’t leave me cold! That sounds really old. In any case much older than I feel,” Pleskow said earlier this year at a ceremony commemorating his birthday.
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Children with a migrant background can take classes in their home language in public schools across Germany. Around 98,000 kids learn one of 23 mother tongues in the country's most populous state, North Rhine-Westphalia.
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Three weeks from now, a bunch of these people will be in the thick of the 2019 Oscar race: Joaquin Phoenix, Meryl Streep, Jamie Foxx, Tom Hanks, Eddie Murphy, Renée Zellweger, Cynthia Erivo, Adam Driver, Matt Damon, Kristen Stewart, Steven Soderbergh, Noah Baumbach and Taika Waititi.
And at least a few of them will probably have been quietly ushered out of the Oscar race.
As always, the fall film festivals will bring the first big moment of truth for dozens of awards contenders and wannabes, this year including “Joker,” “The Laundromat,” “Just Mercy,” “A Beautiful Day in the Neighborhood,” “Dolemite Is My Name,” “Judy,” “Harriet,” “Marriage Story,” “Ford v Ferrari,” “Seberg,” “Jojo Rabbit” and many more.
The festivals in Venice, Telluride and Toronto annually turn into a launching pad for some awards movies and a junkyard for others. Last year, for instance, “Roma,” “A Star Is Born,” “The Favourite” and the sleeper “Green Book” came out of the early festivals looking like the true awards contenders they were; “First Man” played well at the festivals before fading during the rest of the season; and “Widows,” “Outlaw King,” “Suspiria,” “22 July,” “The Front Runner” and “The Old Man & the Gun” never really got off the ground.
It’s safe to say that the majority of this year’s Best Picture nominees will premiere either at the Venice International Film Festival, which begins on Wednesday and runs until Sept. 7; the Telluride Film Festival, which will screen a couple dozen carefully curated contenders over three days beginning on Friday; the Toronto International Film Festival, which will showcase hundreds of films over 11 days beginning on Sept. 5; and the New York Film Festival, which arrives in late September as the last of the major fall festivals that shape the face of awards season.
The oldest of these festivals, Venice, also comes first. At points in its history you could have added “and the classiest,” though that festival’s decision to feature only two female directors in its main competition, and to premiere new films from problematic auteurs Roman Polanski and Nate Parker, has taken away a considerable amount of its luster.
But Venice will provide the world premiere for Noah Baumbach’s “Marriage Story,” which stars Adam Driver and Scarlett Johansson as a couple going through a divorce, and which will be the only film to be booked in Venice, Telluride, Toronto and New York. (Netflix, which is releasing the film and looks to be a major awards player for the second year in a row, used the same strategy last year for “Roma.”)
The festival will also launch Todd Phillips’ “Joker,” which has Joaquin Phoenix in the title role and will test the ability of another comic-book movie to become a true awards contender the way “Black Panther” did last year. (It looks dirtier and darker.)
Other Venice titles will include Steven Soderbergh’s Panama Papers drama “The Laundromat,” with Meryl Streep; James Gray’s sci-fi film with Brad Pitt, “Ad Astra”; Armando Iannucci’s no-doubt twisted take on Charles Dickens, “The Personal History of David Copperfield”; Japanese auteur Hirokazu Kore-eda’s French-language debut, “The Truth,” with Catherine Deneuve and Juliette Binoche; and Benedict Andrews’ “Seberg,” starring Kristen Stewart as troubled actress Jean Seberg.
Throw in new films from Pablo Larrain (“Ema”), Olivier Assayas (“Wasp Network”), David Michod (“The King”) and Paolo Sorrentino (“The New Pope”), a handful of documentaries — including Alex Gibney’s “Citizen K” and Lauren Greenfield’s Imelda Marcos doc “The Kingmaker,” the only nonfiction film playing Venice, Telluride and Toronto — and the Lido should be jumping. And that’s before you factor in the no-doubt divisive debuts of Polanski’s “An Officer and a Spy” and Parker’s politically charged “American Skin.”
Two days after Venice begins, though, Oscar-watchers will also have to begin simultaneously keeping track of what’s happening in the mountains of Colorado. Telluride won’t announce its full lineup until the day before the festival begins, but it’s not hard to figure out that it will include the world premieres of James Mangold’s hotly-touted auto-racing drama “Ford v Ferrari”; Rupert Goold’s “Judy,” with Renée Zellweger as Judy Garland in the twilight of her career; Edward Norton’s “Motherless Children,” in which the actor-director co-stars with Willem Dafoe and Alec Baldwin; Tom Harper’s “The Aeronauts,” a period piece reuniting the “Theory of Everything” team of Eddie Redmayne and Felicity Jones; and a pair of films from indie icons Kelly Reichardt (“First Cow”) and the Safdie brothers (“Uncut Gems,” with Adam Sandler).
Telluride will likely also play host to several films from Venice, and to a handful that premiered earlier in the year in Cannes, Berlin and Sundance, including the serious awards contenders “Pain and Glory” from Pedro Almodóvar and “Parasite” from Bong Joon Ho.
Toronto, which launches a few days after Telluride ends but while Venice is still going on, has room for almost all of the big films from Venice and Telluride and Cannes, plus dozens more. By far the biggest and most expansive of the fall festivals, it also has room for a hefty group of world premieres, including “Can You Ever Forgive Me?” director Marielle Heller’s “A Beautiful Day in the Neighborhood,” which stars Tom Hanks as Mr. Rogers and will try to break that actor’s surprising streak of 19 years without an Oscar nomination.
Also debuting at TIFF: John Crowley’s adaptation of “The Goldfinch,” with Ansel Elgort, Nicole Kidman and Sarah Paulson; Kasi Lemmons’ “Harriet,” starring Cynthia Erivo as slave-turned-abolitionist Harriet Tubman; Destin Daniel Cretton’s “Just Mercy,” with Michael B. Jordan and Jamie Foxx in the story of an attorney trying to free a man falsely convicted of murder; and Taika Waititi’s dark, satiric and transgressive comedy “Jojo Rabbit,” about a young boy in World War II Germany whose imaginary friend is no less than Adolf Hitler.
Other potential contenders include Cory Finley’s “Bad Education,” Craig Brewer’s “Dolemite Is My Name,” Rian Johnson’s “Knives Out,” Noah Hawley’s “Lucy in the Sky” … and, well, dozens of others that will be unveiled over one very crowded week and a half.
Plus Cannes films like “The Laundromat” and “Portrait of a Lady on Fire” will get a chance to see if they have staying power in the awards conversation, and Sundance debuts like Scott Z. Burns’ “The Report” and Chinoye Chukwu’s “Clemency” will try to remind viewers (and voters) that they’re still around.
After the one-two-three punch of Venice, Telluride and Toronto, the New York Film Festival begins Sept. 27 after a 12-day break in festival-going. NYFF has three prime slots that often go to world premieres, though this year its opening-night film is the only one that’s a true premiere — the centerpiece gala is “Marriage Story” and closing night is “Motherless Brookyln.”
But the festival’s one world premiere is a big one: Martin Scorsese’s “The Irishman,” perhaps the single most eagerly awaited film of the season. With an iconic director, a cast of heavyweights (Robert De Niro, Al Pacino, Joe Pesci) and a subject (organized crime) that often brings out the best in Scorsese, it’s Netflix’s chance to win the big one without the baggage of having to do it with a black-and-white foreign-language film like last year’s “Roma.” (Of course, Netflix itself remains a divisive presence to some awards voters, though they’re likely far outnumbered by people in Hollywood who want to work for the company.)
When NYFF ends in mid October, awards season will have a batch of front-runners and another group of also-rans — but that doesn’t mean that a few post-festival premieres can’t still crash this year’s truncated Oscar season. Greta Gerwig’s “Little Women,” Sam Mendes’ “1917” and Jay Roach’s “Bombshell” are among the films likely to surface after the fall fests — as is, gulp, Tom Hooper’s “Cats,” whose trailer didn’t exactly make a case for its best-pic credentials but did suggest makeup and VFX clout.
Sight unseen, the biggest contenders at this point might seem to be “The Irishman,” “Just Mercy,” “Marriage Story,” “A Beautiful Day in the Neighborhood,” “Ford v Ferrari” and “Jojo Rabbit” to go along with Quentin Tarantino’s “Once Upon a Time … in Hollywood” and maybe “The Farewell” — but sight unseen is a dangerous phrase to use in late August.
So let’s check back in September, when we can survey the messy festival aftermath with a touch more clarity.
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www.thewrap.com | 8/28/19
The Swedish teen activist has praised Germany's young protesters for sacrificing their education for the climate. Thunberg's movement calls on students around the world to skip school every Friday.
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Children in Germany will have to prove they've had a measles vaccination before they can attend kindergarten or go to school, under a new draft law. Parents who object to immunizing their kids face hefty fines.
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Where does the information in the documents you save get stored and can children consent to this?
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Ending foreign influence on Muslim religious leaders' education is a long-term goal for the German government. A new study might lead the way for training local imams, if all parties involved are willing to participate.
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Lifeguards warn that more and more people in Germany are unable to swim: A quarter of primary schools no longer offer lessons; a pool closes every four days. As a consequence, drownings are on the up.
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German schools, kindergartens and amateur astronomers have been asked to come up with names for two heavenly bodies. The huge exoplanet and its star currently go by the unpoetical catalog numbers HD 32518 and HD 32518b.
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There are no zombies on the red carpet of the Croisette, a reporter told Bill Murray after the world premiere of his latest film “The Dead Don’t Die,” which opened the Cannes Film Festival Tuesday.
“Says you,” Murray (un)dead-pans in response.
During the press conference following Jim Jarmusch’s zombie comedy, Murray said he finds Cannes “frightening,” and it’s hard not to come away with that assessment when “The Dead Don’t Die” managed to bring together an unusual assemblage of art-house darlings and global pop stars for the occasion.
Jarmusch donned his trademark sunglasses on the red carpet and received a (expected) standing ovation as the screening was began, and he was joined by the film’s diverse crop of stars, including Adam Driver, Tilda Swinton, Chloe Sevigny and even Selena Gomez, who were all in attendance.
And the film itself is a nonchalant, hipster commentary on people sleepwalking through the modern age as well as the Trump era. A red hat worn by Steve Buscemi’s character in the film that read “Make America White Again” was a popular talking point among critics after the first screenings in the Grand Theatre Lumiere and the Sally Debussy theater next door. And it’s not unusual for this generally tough Cannes crowd to be fairly mixed on the splashy opening night film, even for someone as respected as Jarmsuch.
“It’s the self-awareness that really hurts it,” TheWrap’s critic Ben Croll wrote in his review. “Jarmusch knows that his audience wants to see Murray and Driver riff in deadpan and that the image of Swinton strutting down the street wielding a katana will set the internet ablaze, so he offers them as much, without ever feeling the imperative to go a step beyond.”
Cannes Jury Press Conference Touches on Diversity, Netflix and the Border Wall
Photo by Pascal Le Segretain/Getty Images
Elle Fanning, filmmakers Kelly Reichardt and Alice Rohrwacher, and Senegalese actress Maimouna N’Diaye are among the women serving on this year’s Cannes main competition jury led by Alejandro González Iñárritu. The group represents one of the most diverse juries the festival has ever had, with 21-year-old Fanning the youngest jury member the festival has ever had.
And while the festival has been committed to striving toward 50/50 gender parity, the women on the jury would very much like to move past the same questions about being a “woman” filmmaker.
“I look forward to a time that will come when we don’t have to say ‘women directors’ or ‘as a woman,'” Reichardt said at the press conference Tuesday.
“But it’s odd when we’re asked this question,” Rohrwacher added. “It’s sort of like asking someone who survived a shipwreck why he’s still alive. Everyone is on the beach — ‘Why are you still alive?’ Why are you asking us? Well, ask the person who built the boat, who sold the tickets, the schools. People have said there haven’t been enough women, but it’s not enough to talk about at the end [of the chain]. We have to look at the beginning of the chain.”
Splashy International Deals
The Cannes marketplace is also just kicking off at the festival, but select international deals are already in place for some of the competition films.
Sony Pictures Worldwide Acquisitions nabbed select territories to Sally Hawkins’s “Eternal Beauty,” according to The Hollywood Reporter, excluding the U.S., Canada, France, Germany, Austria, Switzerland, the U.K., China, Japan, South Korea and the Middle East. And Focus Features acquired the international rights to Robert Eggers’s film “The Lighthouse,” which A24 already has domestic rights to distribute.
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A radioactive isotope one billion times older than the Universe! An international team of researchers, including six scientists from the Faculty of Science and Technology of the University of Coimbra (FCTUC), was able to measure for the first time the longest average lifetime of a radioactive isotope recorded by a device of measurement. This extraordinary fact is published (April 25), as the main piece on the cover, in Nature, the most prestigious of all scientific journals. The isotope in question is Xe 124 and its average lifetime is approximately one billion times older than the Universe. The Universe is about 14 billion years old, a period of time inconceivable when compared to the scale of human life. As if that alone did not cause enough amazement, there are radioactive isotopes (unstable elements that change over time emitting radiation) whose average life happens on scales much greater than the existence of the Universe itself. "The fact that we can directly measure such a rare process as this demonstrates the extraordinary scope of our measurement system, even when it was not made to measure these events, but rather dark matter," stresses José Matias, coordinator of the Portuguese team in this effort international and researcher of the Laboratory of Instrumentation, Biomedical Engineering and Radiation Physics (LIBPhys) of FCTUC. In fact, this measurement was only possible thanks to the XENON1T system, the most sensitive instrument ever produced by mankind for the detection of dark matter. It is installed in the National Laboratory of Gran Sasso (Italy), the largest underground laboratory in the world, under 1300 meters of rock to shield the system from cosmic rays existing on the surface. The study published by Nature shows that, after all, "XENON1T was also able to measure other rare physical phenomena, such as double electronic capture. In this case, the nucleus captures two of the electrons that orbit it in the atom, transforming two of the protons that constituted it into neutrons and emitting radiation in the form of two neutrinos. The energy released in this process forms the signal that the system registers, despite the extreme difficulty in being detected by its rarity, and can be generally masked by the omnipresent "normal" radiation ", affirms the also vice president of the Higher Institute of Engineering of Coimbra (ISEC). The average life span of Xe 124 Only with the detailed knowledge of the sources of radiation recorded by the detector was it possible to observe 126 events of double electron capture of the isotope Xe 124 and thus to determine for the first time its average life time of 2.5 x 1022 years (25 thousand millions of billions of years). This is the longest physical process ever measured directly by mankind. In fact, there is a register of phenomena with a longer average life (isotope Te 128) in the Universe, but that was inferred indirectly from another process. For the time being, it is not possible to predict the implications of this discovery that opens new horizons in human knowledge. The XENON consortium consists of 160 scientists from 27 research groups from the US, Germany, Portugal, Switzerland, France, the Netherlands, Sweden, Japan, Israel and Abu Dhabi. Portugal has been a partner in this collaboration since its inception in 2005 through the LIBPhys team. Cristina Pinto University of Coimbra • Faculty of Science and Technology Translated from the Portuguese version Ekaterina Santos
www.pravdareport.com | 4/25/19
James (Jon) Castle - 7 December 1950 to 12 January 2018
Over four decades Captain Jon Castle navigated Greenpeace ships by the twin stars of ‘right and wrong’, defending the environment and promoting peace. Greenpeace chronicler, Rex Weyler, recounts a few of the stories that made up an extraordinary life.
Captain Jon Castle onboard the MV Sirius, 1 May 1996
James (Jon) Castle first opened his eyes virtually at sea. He was born 7 December 1950 in Cobo Bay on the Channel Island of Guernsey, UK. He grew up in a house known locally as Casa del Mare, the closest house on the island to the sea, the second son of Robert Breedlove Castle and Mary Constance Castle.
Young Jon Castle loved the sea and boats. He worked on De Ile de Serk, a cargo boat that supplied nearby Sark island, and he studied at the University of Southampton to become an officer in the Merchant Navy.
Jon became a beloved skipper of Greenpeace ships. He sailed on many campaigns and famously skippered two ships during Greenpeace’s action against Shell’s North Sea oil platform, Brent Spar. During his activist career, Jon spelt his name as "Castel" to avoid unwanted attention on his family.Right and wrong
Jon had two personal obsessions: he loved books and world knowledge and was extremely well-read. He also loved sacred sites and spent personal holidays walking to stone circles, standing stones, and holy wells.
As a young man, Jon became acquainted with the Quaker tradition, drawn by their dedication to peace, civil rights, and direct social action. In 1977, when Greenpeace purchased their first ship - the Aberdeen trawler renamed, the Rainbow Warrior - Jon signed on as first mate, working with skipper Peter Bouquet and activists Susi Newborn, Denise Bell and Pete Wilkinson.
In 1978, Wilkinson and Castle learned of the British government dumping radioactive waste at sea in the deep ocean trench off the coast of Spain in the Sea of Biscay. In July, the Rainbow Warrior followed the British ship, Gem, south from the English coast, carrying a load of toxic, radioactive waste barrels. The now-famous confrontation during which the Gem crew dropped barrels onto a Greenpeace inflatable boat, ultimately changed maritime law and initiated a ban on toxic dumping at sea.
After being arrested by Spanish authorities, Castle and Bouquet staged a dramatic escape from La Coru?a harbour at night, without running lights, and returned the Greenpeace ship to action. Crew member Simone Hollander recalls, as the ship entered Dublin harbour in 1978, Jon cheerfully insisting that the entire crew help clean the ship's bilges before going ashore, an action that not only built camaraderie among the crew, but showed a mariner's respect for the ship itself. In 1979, they brought the ship to Amsterdam and participated in the first Greenpeace International meeting.
In 1980 Castle and the Rainbow Warrior crew confronted Norwegian and Spanish whaling ships, were again arrested by Spanish authorities, and brought into custody in the El Ferrol naval base.
The Rainbow Warrior remained in custody for five months, as the Spanish government demanded 10 million pesetas to compensate the whaling company. On the night of November 8, 1980, the Rainbow Warrior, with Castle at the helm, quietly escaped the naval base, through the North Atlantic, and into port in Jersey.
In 1995, Castle skippered the MV Greenpeace during the campaign against French nuclear testing in the Pacific and led a flotilla into New Zealand to replace the original Rainbow Warrior that French agents bombed in Auckland in 1985.
Over the years, Castle became legendary for his maritime skills, courage, compassion, commitment, and for his incorruptible integrity. "Environmentalism: That does not mean a lot to me," he once said, "I am here because of what is right and wrong. Those words are good enough for me."Brent Spar Action at Brent Spar Oil Rig in the North Sea, 16 June 1995
One of the most successful Greenpeace campaigns of all time began in the summer of 1995 when Shell Oil announced a plan to dump a floating oil storage tank, containing toxic petroleum residue, into the North Atlantic. Castle signed on as skipper of the Greenpeace vessel Moby Dick, out of Lerwick, Scotland. A month later, on 30 April 1995, Castle and other activists occupied the Brent Spar and called for a boycott of Shell service stations.
When Shell security and British police sprayed the protesters with water cannons, images flooded across world media, demonstrations broke out across Europe, and on May 15, at the G7 summit, German chancellor Helmut Kohl publicly protested to British Prime Minister John Major. In June, 11 nations, at the Oslo and Paris Commission meetings, called for a moratorium on sea disposal of offshore installations.
After three weeks, British police managed to evict Castle and the other occupiers and held them briefly in an Aberdeen jail. When Shell and the British government defied public sentiment and began towing the Spar to the disposal site, consumers boycotted Shell stations across Europe. Once released, Castle took charge of the chartered Greenpeace vessel Altair and continued to pursue the Brent Spar towards the dumping ground. Castle called on the master of another Greenpeace ship, fitted with a helideck, to alter course and rendezvous with him. Using a helicopter, protesters re-occupied the Spar and cut the wires to the detonators of scuppering charges.
One of the occupiers, young recruit Eric Heijselaar, recalls: "One of the first people I met as I climbed on board was a red-haired giant of a man grinning broadly at us. My first thought was that he was a deckhand, or maybe the bosun. So I asked if he knew whether a cabin had been assigned to me yet. He gave me a lovely warm smile, and reassured me that, yes, a cabin had been arranged. At dinner I found out that he was Jon Castle, not a deckhand, not the bosun, but the captain. And what a captain!"
With activists occupying the Spar once again, Castle and the crew kept up their pursuit when suddenly the Spar altered course, heading towards Norway. Shell had given up. The company announced that Brent Spar would be cleaned out and used as a foundation for a new ferry terminal. Three years later, in 1998, the Convention for the Protection of the Marine Environment of the North-East Atlantic (OSPAR) passed a ban on dumping oil installations into the North Sea.
"There was no question among the crew who had made this possible, who had caused this to happen," Heijselaar recalls. "It was Jon Castle. His quiet enthusiasm and the trust he put into people made this crew one of the best I ever saw. He always knew exactly what he wanted out of a campaign, how to gain momentum, and he always found the right words to explain his philosophies. He was that rare combination, both a mechanic and a mystic. And above all he was a very loving, kind human being."Moruroa
After the Brent Spar campaign, Castle returned to the South Pacific on the Rainbow Warrior II, to obstruct a proposed French nuclear test in the Moruroa atoll. Expecting the French to occupy their ship, Castle and engineer, Luis Manuel Pinto da Costa, rigged the steering mechanism to be controlled from the crow's-nest. When French commandos boarded the ship, Castle stationed himself in the crow's-nest, cut away the access ladder and greased the mast so that the raiders would have difficulty arresting him.
Eventually, the commandos cut a hole into the engine-room and severed cables controlling the engine, radio, and steering mechanism, making Castle's remote control system worthless. They towed the Rainbow Warrior II to the island of Hao, as three other protest vessels arrived.
Three thousand demonstrators gathered in the French port of Papeete, demanding that France abandon the tests. Oscar Temaru - leader of Tavini Huiraatira, an anti-nuclear, pro-independence party - who had been aboard the Rainbow Warrior II when it was raided, welcomed anti-testing supporters from Britain, Ireland, New Zealand, Australia, Japan, Sweden, Canada, Germany, Brazil, the Netherlands, Luxembourg, the Philippines, and American Samoa. Eventually, France ended their tests, and atmospheric nuclear testing in the world's oceans stopped once and for all.“Moral courage”
Through these extraordinary missions, Jon Castle advocated "self-reflection" not only for individual activists, but for the organisation that he loved. Activists, Castle maintained, required "moral courage." He cautioned, "Don't seek approval. Someone has to be way out in front... illuminating territory in advance of the main body of thought."
He opposed "corporatism" in activist organisations and urged Greenpeace to avoid becoming "over-centralised or compartmentalised." He felt that activist decisions should emerge from the actions themselves, not in an office. We can't fight industrialism with "money, numbers, and high-tech alone," he once wrote in a personal manifesto. Organisations have to avoid traps of "self-perpetuation" and focus on the job "upsetting powerful forces, taking on multinationals and the military-industrial complex."
He recalled that Greenpeace had become popular "because a gut message came through to the thirsty hearts of poor suffering people ... feeling the destruction around them." Activists, Castle felt, required "freedom of expression, spontaneity [and] an integrated lifestyle." An activist organisation should foster a "feeling of community" and exhibit "moral courage." Castle felt that social change activists had to "question the materialistic, consumerist lifestyle that drives energy overuse, the increasingly inequitable world economic tyranny that creates poverty and drives environmental degradation," and must maintain "honour, courage and the creative edge."Well loved hero
Susi Newborn, who was there to welcome Jon aboard the Rainbow Warrior way back in 1977, and who gave the ship its name, wrote about her friend with whom she felt "welded at the heart: He was a Buddhist and a vegetarian and had an earring in his ear. He liked poetry and classical music and could be very dark, but also very funny. Once, I cut his hair as he downed a bottle or two of rum reciting The Second Coming by Yeats."
Newborn recalls Castle insisting that women steer the ships in and out of port because, "they got it right, were naturals." She recalls a night at sea, Castle "lashed to the wheel facing one of the biggest storms of last century head on. I was flung about my cabin like a rag doll until I passed out. We never talked about the storm, as if too scared to summon up the behemoth we had encountered. A small handwritten note pinned somewhere in the mess, the sole acknowledgment of a skipper to his six-person crew: ‘Thank You.’” Others remember Castle as the Greenpeace captain that could regularly be found in the galley doing kitchen duty.
In 2008, with the small yacht Musichana, Castle and Pete Bouquet staged a two-man invasion of Diego Garcia island to protest the American bomber base there and the UK's refusal to allow evicted Chagos Islanders to return to their homes. They anchored in the lagoon and radioed the British Indian Ocean Territories officials on the island to tell them they and the US Air Force were acting in breach of international law and United Nations resolutions. When arrested, Castle politely lectured his captors on their immoral and illegal conduct.
In one of his final actions, as he battled with his failing health, Castle helped friends in Scotland operate a soup kitchen, quietly prepping food and washing up behind the scenes.
Upon hearing of his passing, Greenpeace ships around the world - the Arctic Sunrise, the Esperanza, and the Rainbow Warrior - flew their flags at half mast.
Jon is fondly remembered by his brother David, ex-wife Caroline, their son, Morgan Castle, born in 1982, and their daughter, Eowyn Castle, born in 1984. Morgan has a daughter of eight months Flora, and and Eowyn has a daughter, Rose, who is 2.
feedproxy.google.com | 3/29/19
ELS'19 - 12th European Lisp Symposium Hotel Bristol Palace Genova, Italy April 1-2 2019 In cooperation with: ACM SIGPLAN In co-location with 2019 Sponsored by EPITA and Franz Inc. http://www.european-lisp-symposium.org/ Recent news: - Submission deadline extended to Friday February 8. - Keynote abstracts now available. - registration now open: https://2019.programming-conference.org/attending/Registration - Student refund program after the conference. The purpose of the European Lisp Symposium is to provide a forum for the discussion and dissemination of all aspects of design, implementation and application of any of the Lisp and Lisp-inspired dialects, including Common Lisp, Scheme, Emacs Lisp, AutoLisp, ISLISP, Dylan, Clojure, ACL2, ECMAScript, Racket, SKILL, Hop and so on. We encourage everyone interested in Lisp to participate. The 12th European Lisp Symposium invites high quality papers about novel research results, insights and lessons learned from practical applications and educational perspectives. We also encourage submissions about known ideas as long as they are presented in a new setting and/or in a highly elegant way. Topics include but are not limited to: - Context-, aspect-, domain-oriented and generative programming - Macro-, reflective-, meta- and/or rule-based development approaches - Language design and implementation - Language integration, inter-operation and deployment - Development methodologies, support and environments - Educational approaches and perspectives - Experience reports and case studies We invite submissions in the following forms: Papers: Technical papers of up to 8 pages that describe original results or explain known ideas in new and elegant ways. Demonstrations: Abstracts of up to 2 pages for demonstrations of tools, libraries, and applications. Tutorials: Abstracts of up to 4 pages for in-depth presentations about topics of special interest for at least 90 minutes and up to 180 minutes. The symposium will also provide slots for lightning talks, to be registered on-site every day. All submissions should be formatted following the ACM SIGS guidelines and include ACM Computing Classification System 2012 concepts and terms. Submissions should be uploaded to Easy Chair, at the following address: https://www.easychair.org/conferences/?conf=els2019 Note: to help us with the review process please indicate the type of submission by entering either "paper", "demo", or "tutorial" in the Keywords field. Important dates: - 08 Feb 2019 Submission deadline (*** extended! ***) - 01 Mar 2019 Notification of acceptance - 18 Mar 2019 Final papers due - 01-02 Apr 2019 Symposium Programme chair: Nicolas Neuss, FAU Erlangen-Nürnberg, Germany Programme committee: Marco Antoniotti, Universita Milano Bicocca, Italy Marc Battyani, FractalConcept, France Pascal Costanza, IMEC, ExaScience Life Lab, Leuven, Belgium Leonie Dreschler-Fischer, University of Hamburg, Germany R. Matthew Emerson, thoughtstuff LLC, USA Marco Heisig, FAU, Erlangen-Nuremberg, Germany Charlotte Herzeel, IMEC, ExaScience Life Lab, Leuven, Belgium Pierre R. Mai, PMSF IT Consulting, Germany Breanndán Ó Nualláin, University of Amsterdam, Netherlands François-René Rideau, Google, USA Alberto Riva, Unversity of Florida, USA Alessio Stalla, ManyDesigns Srl, Italy Patrick Krusenotto, Deutsche Welle, Germany Philipp Marek, Austria Sacha Chua, Living an Awesome Life, Canada Search Keywords: #els2019, ELS 2019, ELS '19, European Lisp Symposium 2019, European Lisp Symposium '19, 12th ELS, 12th European Lisp Symposium, European Lisp Conference 2019, European Lisp Conference '19
www.didierverna.net | 2/1/19
The annual Centre for High-Performance Computing (CHPC) conference, which took place in Cape Town recently, provided a platform for South African students to showcase their skills in building supercomputers and their innovative ideas on how to prevent cybercrimes through the Student Cluster Competition, and the Student Cyber-Security challenge. Six students from the University of Cape [&hellip
www.itnewsafrica.com | 12/11/18
Education Minister Anja Karliczek has come under fire for questioning Germany's move to legalize gay marriage and the welfare of children of same-sex couples. Opposition lawmakers criticized her "sham arguments."
www.dw.com | 11/22/18
At just around midnight in the capital of Romania, film producer Ada Solomon got a call that threatened the life of her entire movie. Her docu-drama depicting a reenactment of one of the worst atrocities in Romania’s history was going to be shut down by the town’s vice mayor. And there was nothing she could do to stop it.
“I had, for one hour and a half, in the middle of [Revolution Square], the most horrible discussion I ever had in my life,” Solomon told TheWrap’s Steve Pond at a Q&A on Thursday following a screening of “I Do Not Care If We Go Down In History as Barbarians,” a film about the 1941 mass murder of tens of thousands of Jews on the Eastern Front by Romanian forces.
“Barbarians,” Romania’s entry into the Oscar foreign film race, follows theater director Mariana (Ioana Iacob) as she prepares a reenactment that will hopefully bring awareness to a truth not many Romanians have come to terms with, according to Solomon. Before Romania fought against Germany in World War II, the country worked alongside Germany to advance their ethnic cleansing agenda. Romanians who acknowledge that fact are chastised for being unpatriotic.
During that fateful night of shooting, Solomon and director Radu Jude immediately presented all their papers and permits stating they were allowed to film in the heart of Bucharest. But it wasn’t the proof that got the vice mayor to bite. In fact, it was a misunderstanding that saved the movie.
“You don’t have to thank me,” the vice mayor told her after letting them resume filming. “If this wasn’t a film about [former Romanian Prime Minister Ion Antonescu], you wouldn’t have the permit”
Except it wasn’t about Antonescu at all. At least not in a good way. In 1946, Antonescu would go on to be charged for war crimes due to his involvement with Nazi Germany and the mass murder of Jews.
“It’s a kind of injustice with the lack of education about this,” Solomon told the audience at the Landmark Theatre. “This is a white page in the history book. The debate has to be there.”
The dissonance between what happened and what Romanians are led to believe has resulted in people in the other countries that have screened the film (“Barbarians” has premiered in France, Belgium and Canada, among others) to relate with the corrective history going on.
“I don’t remember what I’ve learned,” Romanian-born actress Iacob told the audience about learning of the massacre in high school. “Maybe it was one page in the history book. If you weren’t there for the lesson, you wouldn’t have known it.”
Aside from directing, Jude also penned the script. Solomon said Jude always had someone like Iacob in mind to play the lead role, wanting “a feminine figure to oppose the world of men.”
Mariana is depicted in the film as someone constantly negotiating with men trying to flirt their way into getting what they want. But Mariana always pushes back.
During a lengthy scene between Mariana and a city official, played by actor Alexandru Dabija, for example, Mariana has to fight to keep her theatrical production uncensored while also dodging the official’s attempts to compliment her into submission. The same can be seen with Mariana’s intimate relationship with an older pilot, a married man with whom she’s having an affair. Mariana informs him at one point that she is pregnant with his baby. During one spat, the pilot implores her that it is her duty to abort the baby so he doesn’t get in trouble.
She doesn’t budge.
Iacob came in for a one-on-one audition with Jude for the role of Mariana. From that moment, Iacob fell in love with the character and the story Jude was trying to tell.
“I read the pages for the casting sessions, and I couldn’t stop,” Iacob said.
After getting everyone on board, the production took 22 days. It was a quick shoot, sure, but not one without its dissenters. Solomon described getting scathing messages from Romanians asking “How dare they” and that they were “bad Romanians.”
But Jude and Solomon always kept going, believing the film would become “a cultural product” that could help people understand why it’s important to acknowledge the event happened.
“We are not politicians. But we are using our tools — the art — to express how we feel about the world around us,” Solomon said.
So does Solomon think the Bucharest vice mayor has seen the film he so abruptly detested on that late night?
“I doubt it,” she joked.
Related stories from TheWrap:
www.thewrap.com | 11/16/18
The responsibility for the German education system lies primarily with the states (Bundesländer) while the federal government plays only a minor role. Optional Kindergarten education is provided for all children between three and six years of age, after which school attendance is compulsory, in most cases for 11 to 12 years. The system varies throughout Germany because each state (Land) decides its own educational policies. Most children, however, first attend Grundschule from the age of six to ten or 12. German secondary education includes five types of school. The Gymnasium is designed to prepare pupils for university education and finishes with the final examination Abitur, after grade 12 or 13. The Realschule has a broader range of emphasis for intermediate pupils and finishes with the final examination Mittlere Reife, after grade 10; the Hauptschule prepares pupils for vocational education and finishes with the final examination Hauptschulabschluss, after grade 9 or 10 and the Realschulabschluss after grade 10. There are two types of grade 10: one is the higher level called type 10b and the lower level is called type 10a; only the higher level type 10b can lead to the Realschule and this finishes with the final examination Mittlere Reife after grade 10b. This new path of achieving the Realschulabschluss at a vocationally-oriented secondary school was changed by the statutory school regulations in 1981 - with a one-year qualifying period. During the one-year qualifying period of the change to the new regulations, pupils could continue with class 10 to fulfil the statutory period of education. After 1982, the new path was compulsory, as explained above. Other than this, there is the Gesamtschule, which combines the approaches. There are also Förderschulen/Sonderschulen. One in 21 pupils attends a Förderschule. Nevertheless the Förderschulen/Sonderschulen can also lead, in special circumstances, to a Hauptschulabschluss of both type 10a or type 10b, the latter of which is the Realschulabschluss. German children only attend school in the morning. There is no provision for serving lunch. There is a lot more homework, heavy emphasis on the "three R's" and very few extracurricular activities. A very low-cost or free higher education could lie beyond a German Abitur. Many of Germany's hundred or so institutions charge little or no tuition. But, students must prove through examinations that they are qualified. In order to enter university, students are, as a rule, required to have passed the Abitur examination; since 2009, however, those with a Meisterbrief (master craftman's diploma) have also been able to apply. Those wishing to attend a "university of applied sciences" must, as a rule, have Abitur, Fachhochschulreife or a Meisterbrief. Lacking those qualifications, pupils are eligible to enter a university or university of applied sciences if they can present additional proof that they will be able to keep up with their fellow students A special system of apprenticeship called Duale Ausbildung allows pupils on vocational courses to do in-service training in a company as well as at a state school. Recent PISA student assessments demonstrated serious weaknesses in German pupils' performance. In the test of 43 countries in the year 2000, Germany ranked 21st in reading and 20th in both mathematics and the natural sciences, prompting calls for reform. In 2006, German schoolchildren improved their position compared to previous years, being ranked (statistically) significantly above average (rank 13) in science skills and statistically not significantly above or below average in mathematical skills (rank 20) and reading skills (rank 18). The PISA Examination also found big differences in achievement between students attending different types of German schools. According to Jan-Martin-Wiadra: Conservatives prized the success of the Gymnasium, for them the finest school form in the world – indeed, it is by far the number one in the PISA league table. But what they prefer to forget is that this success came at the cost of a catastrophe in the Hauptschulen. Some German teachers' representatives and a number of scientists disputed the PISA findings. Claiming among other things that the questions have been ill-translated, that the samples drawn in some countries were not representative, that Germans (most of whom had never done a multiple choice tests in their lives before) were discriminated against by the multiple choice questions, that the PISA-questions had no curricular validity and that the PISA was "in fact an IQ-test", which according to them showed that dysgenic fertility was taking place in Germany. A 2008 statistic from Nordrhein-Westfalen shows that 6.4 percent of all students did not earn even the Hauptschulabschluss, however not all of them were high school dropouts, as many of them were children with special needs, who received special school leaving certificates. Only 3.3 percent dropped out of school without earning any kind of diploma.