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Wales will have to play a friendly before their first Euro 2020 qualifier against Slovakia in March, with Germany potential opponents. | 12/5/18
Wales will face Croatia, Slovakia, Hungary and Azerbaijan in Group E during their Euro 2020 qualifying campaign. | 12/2/18

We have a real treat today for all you modern-blues rockin’ fiends out there. Blending influences from all over the map, primarily Slovakia and the US, The Youniverse’s sound is as all encompassing as their moniker suggests. Comprised of lead singer Tammy and guitarist Jergus, the duo is readying to release CMYK, an album spiritually […]

The post The Youniverse, “STICKY TAR” appeared first on Impose Magazine.

Jaguar Land Rover says there will also be a "temporary pause" at its Wolverhampton engine plant. | 11/29/18
James Lawrence was a surprise inclusion in Wales' latest squad. He tells BBC Sport Wales about his unusual back story. | 11/7/18
Launching its 22nd edition with an ambitious, expanded program, the Ji.hlava International Documentary Film Festival opened Thursday in the Czech Republic, embracing the theme of memory as it marks the centennial of the founding of CzechoSlovakia. The nation, formed at the close of WWI, lasted through 1993, when it was broken up into Slovakia and […] | 10/26/18

Filed under: Plants/Manufacturing,Jaguar,Land Rover,Luxury,Off-Road,Performance

Country gets another car plant as Brexit helps push JLR out of England.

Continue reading Jaguar Land Rover opens new $1.6 billion factory in Slovakia

Jaguar Land Rover opens new $1.6 billion factory in Slovakia originally appeared on Autoblog on Thu, 25 Oct 2018 10:05:00 EDT. Please see our terms for use of feeds.

Permalink  |  Email this  |  Comments | 10/25/18
Northern Ireland U21s round off an impressive Euro 2019 qualifying campaign with a win over 10-man Slovakia at Windsor Park. | 10/16/18
Preview followed by live coverage of Tuesday's Euro U21 Qualifying game between Northern Ireland U21 and Slovakia U21. | 10/15/18

Eighty-seven films have qualified in the 2018 Oscars race for Best Foreign Language Film, the Academy announced on Monday.

The number is five less than last year’s record of 92 entries, but significantly larger than the 60-odd qualifying films that were the norm only a few years ago. The 2018 race is also expected to be one of the most competitive in years, with a number of esteemed international directors and award-winning films competing for only nine spots on the shortlist and five nominations.

Los Angeles-based volunteers from all branches of the Academy will now watch all the eligible films at AMPAS screenings at the Samuel Goldwyn Theater in Beverly Hills and the Linwood Dunn Theater in Hollywood. This year, the Academy has made it easier to qualify to vote, dropping the number of films each voter must see from 17 or 18 down to 12 and eliminating the color-coded groups that made each voter choose from a specific group of films to which he or she had been assigned.

Also Read: Academy Makes More Changes to Open Up Oscars Foreign Language Voting (Exclusive)

The Mexican entry, Alfonso Cuaron’s “Roma,” is the clear frontrunner, since it is also considered a strong contender for a Best Picture nomination. (In Oscars history, six films have been nominated in both categories, the last one being “Amour” in 2011.)

But the Polish entry, “Cold War,” is the new film from Pawel Pawlikowski, whose last film, “Ida,” won the foreign-language Oscar; it too is considered a likely nominee. So is the Lebanese entry, Nadine Labaki’s “Capernaum,” a powerful drama about a young boy in the slums of Beirut who sues his parents for bringing him into the world.

Two other directors are recent winners in the category, Florian Henckel von Donnersmarck with the German entry “Never Look Away” (his “The Lives of Others” won in 2007) and Laszlo Nemes for Hungary’s entry, “Sunset” (his last film, “Son of Saul,” won in 2016).

Also in the race: recent nominees Rithy Panh (“Graves Without a Name,” Cambodia) and Ciro Guerra (“Birds of Passage,” a Colombian film co-directed with his ex-wife, Cristina Gallego).

Also Read: Oscars Foreign Language Race 2018: Complete List of Submissions (So Far)

Other strong Oscars contenders include Lee Chang-dong’s “Burning, which is vying to become the first South Korean film ever to be nominated; Hirokazu Kore-eda’s “Shoplifters,” which won the Palme d’Or at this year’s Cannes Film Festival; Nuri Bilge Ceylan’s “The Wild Pear Tree,” the Turkish entry; Lukas Dhont’s “Girl,” which won the acting award in the Un Certain Regard section at Cannes; and Matteo Garrone’s “Dogman,” which took the best-actor award in Cannes’ main competition.

Entries from Ukraine, Egypt, Sweden, Denmark, Israel, the U.K., Spain, Paraguay and several other countries are also contending for the prize.

Malawi and Niger have submitted films for the first time.

Official Academy screenings will begin on Oct. 15 and run through Dec. 10. At that point, the six films that have received the highest average scores from the voters will advance to a nine-film shortlist, along with three additional films chosen by an executive committee.

Also Read: Larry Karaszewski and Diane Weyermann to Replace Mark Johnson as Oscars Foreign-Language Heads (Exclusive)

TheWrap has compiled a complete list of the qualifying films, with descriptions and links to trailers when available.

The list of qualifying films:

Afghanistan, “Rona Azim’s Mother,” Jamshid Mahmoudi, director;

Algeria, “Until the End of Time,” Yasmine Chouikh, director;

Argentina, “El Ángel,” Luis Ortega, director;

Armenia, “Spitak,” Alexander Kott, director;

Australia, “Jirga,” Benjamin Gilmour, director;

Austria, “The Waldheim Waltz,” Ruth Beckermann, director;

Bangladesh, “No Bed of Roses,” Mostofa Sarwar Farooki, director;

Belarus, “Crystal Swan,” Darya Zhuk, director;

Belgium, “Girl,” Lukas Dhont, director;

Bolivia, “The Goalkeeper,” Rodrigo “Gory” Patiño, director;

Bosnia and Herzegovina, “Never Leave Me,” Aida Begi?, director;

Brazil, “The Great Mystical Circus,” Carlos Diegues, director;

Bulgaria, “Omnipresent,” Ilian Djevelekov, director;

Cambodia, “Graves without a Name,” Rithy Panh, director;

Canada, “Family Ties,” Sophie Dupuis, director;

Chile, “…And Suddenly the Dawn,” Silvio Caiozzi, director;

China, “Hidden Man,” Jiang Wen, director;

Colombia, “Birds of Passage,” Cristina Gallego, Ciro Guerra, directors;

Costa Rica, “Medea,” Alexandra Latishev, director;

Croatia, “The Eighth Commissioner,” Ivan Salaj, director;

Czech Republic, “Winter Flies,” Olmo Omerzu, director;

Denmark, “The Guilty,” Gustav Möller, director;

Dominican Republic, “Cocote,” Nelson Carlo De Los Santos Arias, director;

Ecuador, “A Son of Man,” Jamaicanoproblem, director;

Egypt, “Yomeddine,” A.B. Shawky, director;

Estonia, “Take It or Leave It,” Liina Trishkina-Vanhatalo, director;

Finland, “Euthanizer,” Teemu Nikki, director;

France, “Memoir of War,” Emmanuel Finkiel, director;

Georgia, “Namme,” Zaza Khalvashi, director;

Germany, “Never Look Away,” Florian Henckel von Donnersmarck, director;

Greece, “Polyxeni,” Dora Masklavanou, director;

Hong Kong, “Operation Red Sea,” Dante Lam, director;

Hungary, “Sunset,” László Nemes, director;

Iceland, “Woman at War,” Benedikt Erlingsson, director;

India, “Village Rockstars,” Rima Das, director;

Indonesia, “Marlina the Murderer in Four Acts,” Mouly Surya, director;

Iran, “No Date, No Signature,” Vahid Jalilvand, director;

Iraq, “The Journey,” Mohamed Jabarah Al-Daradji, director;

Israel, “The Cakemaker,” Ofir Raul Graizer, director;

Italy, “Dogman,” Matteo Garrone, director;

Japan, “Shoplifters,” Hirokazu Kore-eda, director;

Kazakhstan, “Ayka,” Sergey Dvortsevoy, director;

Kenya, “Supa Modo,” Likarion Wainaina, director;

Kosovo, “The Marriage,” Blerta Zeqiri, director;

Latvia, “To Be Continued,” Ivars Seleckis, director;

Lebanon, “Capernaum,” Nadine Labaki, director;

Lithuania, “Wonderful Losers: A Different World,” Arunas Matelis, director;

Luxembourg, “Gutland,” Govinda Van Maele, director;

Macedonia, “Secret Ingredient,” Gjorce Stavreski, director;

Malawi, “The Road to Sunrise,” Shemu Joyah, director;

Mexico, “Roma,” Alfonso Cuarón, director;

Montenegro, “Iskra,” Gojko Berkuljan, director;

Morocco, “Burnout,” Nour-Eddine Lakhmari, director;

Nepal, “Panchayat,” Shivam Adhikari, director;

Netherlands, “The Resistance Banker,” Joram Lürsen, director;

New Zealand, “Yellow Is Forbidden,” Pietra Brettkelly, director;

Niger, “The Wedding Ring,” Rahmatou Keïta, director;

Norway, “What Will People Say,” Iram Haq, director;

Pakistan, “Cake,” Asim Abbasi, director;

Palestine, “Ghost Hunting,” Raed Andoni, director;

Panama, “Ruben Blades Is Not My Name,” Abner Benaim, director;

Paraguay, “The Heiresses,” Marcelo Martinessi, director;

Peru, “Eternity,” Oscar Catacora, director;

Philippines, “Signal Rock,” Chito S. Roño, director;

Poland, “Cold War,” Pawel Pawlikowski, director;

Portugal, “Pilgrimage,” João Botelho, director;

Romania, “I Do Not Care If We Go Down in History as Barbarians,” Radu Jude, director;

Russia, “Sobibor,” Konstantin Khabensky, director;

Serbia, “Offenders,” Dejan Zecevic, director;

Singapore, “Buffalo Boys,” Mike Wiluan, director;

Slovakia, “The Interpreter,” Martin Šulík, director;

Slovenia, “Ivan,” Janez Burger, director;

South Africa, “Sew the Winter to My Skin,” Jahmil X.T. Qubeka, director;

South Korea, “Burning,” Lee Chang-dong, director;

Spain, “Champions,” Javier Fesser, director;

Sweden, “Border,” Ali Abbasi, director;

Switzerland, “Eldorado,” Markus Imhoof, director;

Taiwan, “The Great Buddha+,” Hsin-Yao Huang, director;

Thailand, “Malila The Farewell Flower,” Anucha Boonyawatana, director;

Tunisia, “Beauty and the Dogs,” Kaouther Ben Hania, director;

Turkey, “The Wild Pear Tree,” Nuri Bilge Ceylan, director;

Ukraine, “Donbass,” Sergei Loznitsa, director;

United Kingdom, “I Am Not a Witch,” Rungano Nyoni, director;

Uruguay, “Twelve-Year Night,” Álvaro Brechner, director;

Venezuela, “The Family,” Gustavo Rondón Córdova, director;

Vietnam, “The Tailor,” Buu Loc Tran, Kay Nguyen, directors;

Yemen, “10 Days before the Wedding,” Amr Gamal, director.

Related stories from TheWrap:

'Sunset' Film Review: 'Son of Saul' Director Keeps His Characters, and Audience, Off Balance

'Capernaum' Director Left Out 'Shocking' Details About Kids on the Streets That Audiences Couldn't Handle

'Cold War' Film Review: Romance in Postwar Europe Is Ravishing and Haunted | 10/8/18
A remote village in Slovakia claims the Pop Art icon as its native son. But it took time for relatives to warm to his legacy. | 10/7/18
Jan Kuciak, 27, was investigating alleged political corruption in Slovakia when he was killed. | 9/28/18
Here’s what you need to know to start your day. | 9/28/18
Starline has taken international rights to “The Cellar,” the crime thriller from Russian filmmaker Igor Voloshin (“Bedouin”). The picture is a three-way co-production between Slovakia’s Furia Film, Russia’s Gate Film, and the Czech Republic’s 8Heads Production. It was largely filmed in the Slovak Republic where it will be released this week through Italfilm. “The Cellar” […] | 9/26/18
A priest in the conservative Roman Catholic stronghold of Slovakia has challenged the church's celibacy rules, voicing his dissent at a time when clerical celibacy is once again a topic of debate amid ongoing sex abuse scandals. | 9/21/18
West Ham's Andriy Yarmolenko scores the only goal as Ukraine record their second Nations League victory | 9/9/18
John Jensen, who managed Denmark's make-shift side in their defeat to Slovakia, says the players are pleased not to be playing Wales on Sunday. | 9/8/18
Denmark interim coach John Jensen says their 3-0 defeat by Slovakia, with a team full of amateur players, was the 'best defeat of his career'. | 9/6/18
Denmark field a student, a salesman and an internet star for a 3-0 defeat by Slovakia - with senior players unavailable amid a commercial dispute. | 9/5/18
Denmark field a student, a salesman and an internet star for a 3-0 defeat by Slovakia - with senior players unavailable amid a commercial dispute. | 9/5/18
Northern Ireland Women lose 1-0 to Slovakia in their final World Cup qualifier at Shamrock Park on captain Julie Nelson's 100th international appearance. | 9/4/18
Northern Ireland Women lose 1-0 to Slovakia in their final World Cup qualifier at Shamrock Park on captain Julie Nelson's 100th international appearance. | 9/4/18

The Oscars race for Best Foreign Language Film has kicked off with one past winner, another past nominee, a couple of esteemed international auteurs, a Palme d’Or winner and movies about drug runners, a transgender teen and, um, hot and sweaty troll sex.

Those are all in the first dozen-plus films submitted to the Academy by international film boards that have qualified to enter movies in the Oscars race. The first batch of submitted films range from this year’s Palme d’Or winner, Japanese director Hirokazu Kore-eda’s “Shoplifters,” to Lukas Dhont’s understated transgender character study “Girl” to Ali Abbasi’s “Border,” which energized Cannes audiences with its twisted tale of a woman who realizes she’s actually a troll.

Florian Henckel von Donnersmarck, the director of the German entry, “Never Look Away,” directed the Oscar-winning “The Lives of Others” more than a decade ago, while Colombian director Ciro Guerra was responsible for the nominee “Embrace of the Serpent” in 2015.

Also Read: 'Shoplifters' Cannes Review: Is the Seventh Time a Charm for Hirokazu Kore-eda?

Approved organizations or committees from each country must submit their film to the Academy by October 1. Volunteers from all branches of the Academy will then view all the qualifying films and vote for their favorites, with the top six choices moving to a shortlist along with three additional choices made by the Foreign Language Film Award Executive Committee. Phase 2 committees will then determine the five nominees.

Last year, a record 92 countries submitted films to the Oscars.

Recently, longtime Oscars foreign-language chair Mark Johnson, one of the architects of the current process, opted not to return to the position he had held for 17 of the last 18 years. Larry Karaszewski and Diane Weyermann are the new co-chairs.

Also Read: Larry Karaszewski and Diane Weyermann to Replace Mark Johnson as Oscars Foreign-Language Heads (Exclusive)

Here are the films that have been submitted so far, with links to trailers when available. An asterisk indicates that TheWrap has seen the film. We will continue to update this list as more films are announced.

Note: The foreign-language committee must still determine whether these films are eligible. The official announcement of qualifying films will take place in early October and may differ from this list.

“Crystal Swan” *
Director: Darya Zhuk

The first Belarusian Oscars entry in 22 years, “Crystal Swan” tells the story of a club kid and aspiring DJ in the mid-1990s who is desperate to escape the squalor of her newly-independent homeland for the promise of America. TheWrap’s Matt Donnelly called the film “tough but irresistible,” with a breakout performance from star Alina Nasibullina that hearkens back to the enterprising, unapologetic heroines of ’80s films like “Desperately Seeking Susan” and “Working Girl.”
Subtitled trailer

“Girl” *
Director: Lukas Dhont

First-time feature director Dhont’s drama about a transgender teen was one of the hits of this year’s Cannes Film Festival, winning the Camera d’Or as the festival’s best first film and the Queer Palm as its best LGBT entry. Featuring a remarkable performance by Victor Polster, the film tells the story of an aspiring ballet student undergoing hormone therapy in preparation for gender confirmation surgery; in Cannes, TheWrap called it “a wrenching drama that you think is about finding acceptance until it threatens to become about the impossibility of that very thing.”
Subtitled trailer

Also Read: 'Girl' Film Review: Transgender Teen Drama Is a True Cannes Discovery

“Birds of Passage” *
Directors: Cristina Gallego and Ciro Guerra

Ciro Guerra directed the first Colombian film ever nominated for an Oscar, 2015’s “Embrace of the Serpent.” His new film, co-directed with his ex-wife Cristina Gallego, is a far cry from that mysterious black-and-white adventure; it starts out as an examination of the old customs of the Wayuu people of northern Colombia in the 1970s, but turns into a blood-soaked chronicle of the ways in which the drug trade transformed the country.
Subtitled trailer

“Take It or Leave It”
Director: Liina Triskina-Vanhatalo

A 30-year-old construction worker is faced with a life-changing decision when he learns that an ex-girlfriend is about to give birth to his child, which she doesn’t want to keep. Triskina-Vanhatalo’s drama is the 16th Oscar entry from Estonia since 1992, with only one of them, 2014’s “Tangerines,” landing a nomination.
Subtitled teaser trailer

Never Look Away / TIFF

“Never Look Away”
Director: Florian Henckel von Donnersmarck

Florian Henckel von Donnersmarck has had a rocky last few years. He directed the brilliant “The Lives of Others,” which scored an upset victory over “Pan’s Labyrinth” at the Oscars in 2007, and then made his English language debut with the Johnny Depp/Angelina Jolie debacle “The Tourist” in 2010. “Never Look Away” is his first film since then, and it returns to “Lives of Others” territory as it chronicles the life of an artist over three decades of post-World War II Germany.
German trailer (no subtitles)

Also Read: Sony Pictures Classics Acquires Florian Henckel von Donnersmarck's 'Never Look Away' Ahead of Venice

“Shoplifters” *
Director: Hirokazu Kore-eda

Although Japan has 12 Oscar nominations, only two of those have come in the last 37 years, with the country often struggling to make the right submission choices. But Hirokazu Kore-eda is the most acclaimed filmmaker to represent the country in the Oscars race in years, and “Shoplifters” won the Palme d’Or at this year’s Cannes Film Festival. Kore-eda follows a tightly knit family living in poverty and making ends meet through petty crime. “Not only does ‘Shoplifters’ skillfully entwine several disparate threads he’s explored over his prolific career,” wrote TheWrap’s Ben Croll, “it does so with the understated confidence and patient elegance of an artist who has fully matured.”
Subtitled trailer

“Wonderful Losers: A Different World”
Director: Arunas Matelis

One of the first two documentaries submitted in this year’s Oscar race, Matelis’ film chronicles the Giro d’Italia (or Tour of Italy) bicycle race from the vantage point of the cyclists at the back of the pack, and the medical teams who attend to the fallen racers.
Subtitled trailer

“Ghost Hunting”
Director: Raed Andoni

The third documentary to be submitted to the Oscars this year finds a group of former Palestinian prisoners re-enacting their brutal interrogations at the hands of Israeli security forces. The film by Raed Andoni, himself a former prisoner, won the top documentary award at this year’s Berlin Film Festival.
Subtitled trailer

I Do Not Care If We Go Down in History as Barbarians / TIFF

“I Do Not Care If We Go Down in History as Barbarians”
Director: Radu Jude

Romania is one of the countries that has inexplicably never landed an Oscar nomination despite a vibrant filmmaking scene (South Korea is another), and Radu Jude is trying for the second time to end that streak of futility. Three years after representing his country with the exceptional “Aferim!,” Jude returns with a blackly comic film about a modern theater director trying to stage a piece about the 1941 massacre in which Romania allied with the Nazis to kill tens of thousands of Jews in Odessa. The film recently won the top prize at the Karlovy Vary Film Festival.
Subtitled trailer

Also Read: 'I Do Not Care If We Go Down in History as Barbarians' Takes Top Honor at Karlovy Vary

“The Interpreter”
Director: Martin Sulik

Slovakia has submitted 22 films to the Oscars since 1993 – and seven of those have been directed by Martin Sulik, five more than any other Slovakian director. A road movie about two elderly men, one the son of a Holocaust victim and one the son of a Nazi killer, stars “Toni Erdmann” star Peter Simonschek and legendary Czech director Jiri Menzel.
Subtitled trailer

“Border” *
Director: Ali Abbasi

In Cannes, where it won the top award in the Un Certain Regard section, Abbasi’s movie became known as the “troll sex” film, because it features, yes, a couple of trolls having sex. But they can also pass for humans, making “Border” an allegory for how we treat outsiders. “It’s creepy and disturbing and freaking, with enough room to find whatever subtext you’re looking for,” wrote theWrap in Cannes.
Subtitled clip

Director: Markus Imhoof

In 1981, Markus Imhoof made “The Boat Is Full,” a drama about refugees in World War II that was nominated for the foreign-language Oscar; in 2013, he represented Switzerland in the Oscar race with “More Than Honey,” a documentary about honeybee colonies. “Eldorado” has things in common with both of those films: It’s also a documentary, but one that looks for common ground between today’s European refugees and the child that the director’s family took in during WWII.
Trailer (no subtitles)

The Wild Pear Tree / TIFF

“The Wild Pear Tree” *
Director: Nuri Bilge Ceylan

This is the fifth time that Turkey has been represented by a film from the acclaimed auteur Ceylan, who was also responsible for the Turkish submissions “Distant,” “Three Monkeys,” “Once Upon a Time in Anatolia” and “Winter Sleep.” But none of those have ever been nominated for Oscars and only “Three Monkeys” made the shortlist. “The Wild Pear Tree” focuses on an aspiring writer and recent college graduate who seems destined for failure; as usual with films from Ceylan, it is slowly paced and built around lengthy conversations – “a narrative of disillusionment,” in the words of TheWrap’s Ben Croll.
International trailer (no dialogue)

“Donbass” *
Director: Sergei Loznitsa

You have to give Ukraine credit for submitting a film that casts the country in the harshest light imaginable. Loznitsa is a virtuoso filmmaker of both narrative films and documentaries, and the episodic “Donbass” is part black comedy, part cry of rage over the violence and corruption that runs rampant in his country. In Cannes, Ben Croll called it “the uncompromised vision of a high-level international auteur.”
Subtitled clip

Also Read: 'Donbass' Review: Jarring War Film Reminds Us That No One Is Safe

“I Am Not a Witch” *
Director: Rungano Nyoni

One of the oldest films in the competition, the British entry screened in the Directors fortnight of Cannes in 2017, and won a BAFTA Award in February. The Zambian-born writer-director Rungano Nyoni visited actual camps for “witches” before making this magical-realist take on a young girl who is accused of having supernatural powers.
Subtitled trailer

“The Family”
Director: Gustavo Rondon Cordova

A selection in the Critics Week section of Cannes in 2017, Rondon Cordova’s drama deals with a father and son who are forced to go into hiding in Caracas after the 12-year-old boy runs afoul of a local gang.
Subtitled trailer

Related stories from TheWrap:

Oscar Season Kicks Off as 'First Man,' 'Roma,' 'A Star Is Born' Launch at Fall Festivals

Marvel Focuses on a 'Black Panther' Best Picture Oscar Nod, Despite New Popular Film Category

Larry Karaszewski and Diane Weyermann to Replace Mark Johnson as Oscars Foreign-Language Heads (Exclusive)

Craig Zadan, Emmy-Nominated Oscars Producer, Dies at 69 | 8/30/18

Netflix is testing how to bypass paying Apple a healthy cut of its subscriptions, with the streaming giant preventing customers in dozens of countries from signing up through iTunes billing, TheWrap has confirmed.

“We are constantly innovating and testing new signup approaches on different platforms to better understand what our members like,” a Netflix spokesperson said in a statement. “Based on what we learn, we work to improve the Netflix experience for members everywhere.”

The test — seen in countries such as France, India, and Great Britain — aims to redirect users to sign up directly on Netflix’s site. And there’s millions of reasons for Netflix to try this. Apple grabs a 30 percent cut from Netflix on all first-year subscribers, a figure that drops to 15 percent once customers reach their second year. Considering Netflix is one of the top-ranked apps in the App Store, it would be a major blow to Apple if it lost its share of subscriber revenue. Apple made more than $9.5 billion last quarter from its services division, which includes its cut of App Store subscriptions.

Also Read: Netflix Cancels Joel McHale, Michelle Wolf Talk Shows

Apple did not respond to TheWrap’s request for comment.

Netflix’s test is running in 33 countries, not including the U.S., up through the end of September, per TechCrunch. Those countries include: Argentina, Australia, Austria, Belgium, Brazil, Canada, Colombia, Croatia, Czech Republic, Denmark, Ecuador, Finland, France, Germany, Great Britain, Hungary, India, Indonesia, Italy, Japan, Korea, Malaysia, Mexico, Norway, Peru, Philippines, Poland, Slovakia, South Africa, Spain, Sweden, Taiwan and Thailand.

Netflix’s experimentation is noteworthy because it makes the streaming giant the latest company to scoff at sharing its subscriber revenue with Apple. These companies are now competitors, after all, with Apple plotting its billion-dollar content push. Spotify, which is battling Apple Music for music streaming supremacy, urged its customers not to sign up through the App Store two years ago. And Amazon has for years avoided paying Apple 30 percent of each book it sells on its Kindle app.

Also Read: Renee Zellweger Sets First Major TV Role as Lead in Netflix Series 'What/If'

The test, if it doesn’t offset the revenue Netflix loses from giving Apple its cut, could ultimately be abandoned. On the other hand, if it’s successful for Netflix, you can expect other tech companies to toy with ways to circumvent paying Apple.

Related stories from TheWrap:

Netflix Says New Recommendations Test Doesn't Mean It Plans to Run Commercials During Shows

'GLOW' Renewed for Season 3 by Netflix (Video)

Chelsea Handler Says She's Working on a 'Very Funny' Netflix Series About White Privilege | 8/21/18
A woman has been detained in Slovakia for playing 'La Traviata' from morning until night for years. | 8/9/18
The Russian nationalist Night Wolves bikers now have a military-style base in Slovakia. | 7/31/18
The Night Wolves, Russian bikers close to President Vladimir Putin, now have a base in Slovakia. | 7/31/18
Before his death, Jan Kuciak uncovered the presence of an Italian organised crime group in Slovakia. | 7/22/18

Paramount Network’s shelved “Heathers” adaptation has secured international distribution for the show in several European and African markets.

Jason Micallef’s series adaptation of the ’80s cult classic was delayed and eventually scrapped by the fledgling Viacom network last month. Featuring suicides by several high school students and the destruction of a school building, the show was deemed too controversial to air on the ad-supported network in the weeks following the mass shooting at Marjory Stoneman Douglas High School in Parkland, Florida. In a statement, the Viacom network said its decision to hit the pause button in the series was “right thing to do.”

It will instead air on HBO or its streaming service in Bosnia and Herzegovina, Bulgaria, Croatia, Czech Republic, Hungary, Kosovo, Macedonia, Moldova, Montenegro, Poland, Romania, Serbia, Slovakia, Slovenia, Denmark, Finland, Norway, Sweden, Spain, Andorra, Portugal, Angola, Cape Verde, Guinea Bissau, Mozambique, Sao Tome & Principe.

Also Read: 'Heathers' Dropped by Paramount Network, Will Be Shopped Elsewhere

Digiturk will air the series in Turkey and Cyprus; OTE will get it in Greece; and Icelandic viewers can catch it on Siminn.

At the time of the decision to shelve the series in the U.S., the 10-episode first season of the planned anthology had been completed and writers had already begun development on a second set of episodes.

The Hollywood Reporter first reported the news of the distribution deal.

Related stories from TheWrap:

'Heathers' Dropped by Paramount Network, Will Be Shopped Elsewhere

'Heathers' New Premiere Date Announced

Paramount Network Delays 'Heathers' TV Series 'Out of Respect' for Florida Shooting Victims | 7/16/18

Radu Jude’s “I Do Not Care If We Go Down in History as Barbarians” won the Grand Prix Crystal Globe, the top jury prize at the 2018 Karlovy Vary Film Festival.

The international competition winner tells of an artist who reenacts a real-life ethnic cleansing perpetrated by the Romanian army in 1941, this time as an artistic installation.

The movie is a coproduction of six countries, led by Romania. In 2015, Jude won Berlin’s Silver Bear for best director for his film “Aferim!”

Also Read: Belarus to Enter Oscar Race After 22 Years With Indie Gem 'Crystal Swan'

The festival at Karlovy Vary, nestled in a spa town outside Prague, Czech Republic, also awarded a special jury prize to Ana Katz’s “Sueño Florianópolis,” and awarded a best director prize to Olmo Omerzu for “Winter Flies.” Mercedes Morán (“Sueño Florianópolis”) and Moshe Folkenflik (“Redemption”) won best actress and best actor, respectively.

Vitaly Mansky’s “Putin’s Witnesses,” which featured a trove of unaired, potentially damning footage from the early days of the Russian president’s rule, took best documentary. The jury also gave special mention to Ivan I. Tverdovskiy’s “Jumpman,” about a peculiar orphan who can’t feel physical pain until his estranged mother resurfaces.

Actor and director Tim Robbins joined a long line of American stars like Robert De Niro and Casey Affleck in receiving a special prize for his contributions to world cinema, TheWrap previously reported.

“Good Time” star Robert Pattinson was also handed this year’ President’s Award.

Read the complete list of winners:

The financial award is shared equally by the director and producer of the award-winning film.

“I Do Not Care If We Go Down in History as Barbarians” 
Directed by: Radu Jude
Romania, Czech Republic, France, Bulgaria, Germany, 2018

The financial award is shared equally by the director and producer of the award-winning film.

“Sueño Florianópolis”
Directed by: Ana Katz
Argentina, Brasil, France, 2018


Olmo Omerzu for the film “Winter Flies”
Czech Republic, Slovenia, Poland, Slovakia, 2018

Also Read: 'Cielo' Film Review: A Poet's Guide to the Galaxy Via Time-Lapse Views of the Chilean Sky


Mercedes Morán for her role in the film “Sueño Florianópolis”
Directed by: Ana Katz
Argentina, Brasil, France, 2018


Moshe Folkenflik for his role in the film “Redemption”
Directed by: Joseph Madmony, Boaz Yehonatan Yacov
Israel, 2018


Directed by: Ivan I. Tverdovskiy
Russia, Lithuania, Ireland, France, 2018


“History of Love”
Directed by: Sonja Prosenc
Slovenia, Italy, Norway, 2018



“Suleiman Mountain”
Directed by: Elizaveta Stishova
Kyrgyzstan, Russia, 2017


“Blossom Valley”

Directed by: László Csuja
Hungary, 2018


Raúl Camargo, Chile
M. Siam, Egypt
Diana Tabakov, Czech Republic

The financial award goes to the director of the award-winning film.

“Putin’s Witnesses”
Directed by: Vitaly Mansky
Latvia, Switzerland, Czech Republic, 2018


Directed by: Daniel Zimmermann
Switzerland, Austria, 2018

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